Amelie composer Yann Tiersen teams up with a coterie of collaborators on Portrait to revisit works from a 25-year career, with poignant and reinvigorating results.
M83's follow-up to 2007's ambient collection Digital Shades Vol. 1 lacks the ingenuity of his pioneering predecessors' output and the thrill-ride wonder of the genres he set out to salute.
The singular synth/industrial/performance art innovator and provocateur Fad Gadget influenced Depeche Mode and scores of others, but never really got his due.
Cabaret Voltaire's Richard H. Kirk talks about two new collections of the legendary post-punk band's early music, an upcoming new album, and how he prefers to listen to music.
Maps' Colours. Reflect. Time. Loss is a triumphantly realized album that finds him taking the concept of Pet Sounds, adding the 1960s folk-pop of the Byrds all while channeling the spaced-out rock of 1990s Spiritualized.
A Certain Ratio's acr:box is a comprehensive and often stunning collection that charts the Manchester band's fascinating career.
French composer Yann Tiersen's latest album ALL connects the natural world with music, and his latest visualizer for "Erc'h" is as gorgeous as the music is.
Apparat's LP5 asks questions of genre while providing a guided tour of some contemporary electronic trends.
In this collection of remixes, British producer Daniel Avery re-iterates the world of his sophomore record through a collection of B-sides and remixes.
For an album that is so geographically and linguistically focused, Yann Tiersen's ALL is strangely beautiful when robbed of all its context.
Quite literally: when Throbbing Gristle took to the recording studio their 'label', Industrial Records, would give birth to an entire genre of music.
Slovenian avant-garde radicals Laibach go to North Korea, and perform The Sound of Music soundtrack. More proof that this actually happened.
Just beneath Anja Garbarek's deceptively cool and composed music are the raucous emotions of a fevered storyteller, trying desperately to impart an often startling and vicious truth.
Liars quickly follow-up 2017's TFCF with TWTWF, a sparse, ambient set of tracks that continues Angus Andrew's experimentation as the sole remaining founding member of the band.
On Burn Slow, Chris Liebing creates a dark techno world where the music oozes more than trips out of the speakers. There's a syrupy sense of primal life.
It's hard to imagine Mute as a label being defined more accurately or succinctly than this.
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