Visionist’s A Call to Arms is a success. Louis Carnell has dialed down on the noise and written the most straightforward, emotionally-charged work of his career.
Following a decade-plus break from official studio albums, Cabaret Voltaire are back with a bevy of releases that shows the electro icon empowered, recharged, and as mired in dissonance and drum beats as ever.
PopMatters recently dialed in with synthpop maestro Vince Clarke to discuss the 35-year history of Erasure and their most recent album, The Neon.
Inspired by 2019's career-spanning box set, legendary Manchester post-punkers A Certain Ratio return with their first new album in 12 years, ACR Loco.
Cue Erasure's new album: The Neon. Music may not by itself cure our societal ills, but the virtue of superb electropop is that it helps make them seem a bit less insurmountable.
On his debut album for Mute, Berlin-based producer Nicolas Bougaïeff applies meticulous care and a deft, trained ear to each track, and the results are marvelous.
Chris Liebing's "Polished Chrome" first appeared on 2018's Burn Slow and features new wave icon Gary Numan. "Chris Carter is a real legend", says Liebing of the remixer of this track.
Apparat's (aka Sascha Ring) re-imagined score from Mario Martone's 2018 Capri-Revolution works as a fine accompaniment to a meditational flight of fancy.
Two guitarists, Lee Ranaldo and Raül Refree make an album largely absent of guitar playing and enter into a bold new phase of their careers. "We want to take this wherever we can and be free of genre restraints," says Lee Ranaldo.
Amelie composer Yann Tiersen teams up with a coterie of collaborators on Portrait to revisit works from a 25-year career, with poignant and reinvigorating results.