Irmin Schmidt Meets John Cage on ‘Nocturne’
Irmin Schmidt goes back to his Stockhausen roots with a new live album, Nocturne: Live at the Huddersfield Contemporary Music Festival.
Irmin Schmidt goes back to his Stockhausen roots with a new live album, Nocturne: Live at the Huddersfield Contemporary Music Festival.
Chris Liebing's "Polished Chrome" first appeared on 2018's Burn Slow and features new wave icon Gary Numan. "Chris Carter is a real legend", says Liebing of the remixer of this track.
Apparat's (aka Sascha Ring) re-imagined score from Mario Martone's 2018 Capri-Revolution works as a fine accompaniment to a meditational flight of fancy.
Two guitarists, Lee Ranaldo and Raül Refree make an album largely absent of guitar playing and enter into a bold new phase of their careers. "We want to take this wherever we can and be free of genre restraints," says Lee Ranaldo.
Amelie composer Yann Tiersen teams up with a coterie of collaborators on Portrait to revisit works from a 25-year career, with poignant and reinvigorating results.
The fruitful collaboration between these two unique musicians continues on an album that is dark but surprisingly melodic.
The demon stepchild shadowing punk's footsteps in the 1970s, Throbbing Gristle, returned in this new century making the case that they had something new to say with TG Now.
In the latest component of a comprehensive reissue series, three limited-edition releases from the 2004-2007 iteration of Throbbing Gristle are back in print. We begin with Live December 2004: A Souvenir of Camber Sands.
M83's follow-up to 2007's ambient collection Digital Shades Vol. 1 lacks the ingenuity of his pioneering predecessors' output and the thrill-ride wonder of the genres he set out to salute.
The singular synth/industrial/performance art innovator and provocateur Fad Gadget influenced Depeche Mode and scores of others, but never really got his due.
Cabaret Voltaire's Richard H. Kirk talks about two new collections of the legendary post-punk band's early music, an upcoming new album, and how he prefers to listen to music.
Maps' Colours. Reflect. Time. Loss is a triumphantly realized album that finds him taking the concept of Pet Sounds, adding the 1960s folk-pop of the Byrds all while channeling the spaced-out rock of 1990s Spiritualized.