Alias’ Carl Lumbly and Michael Vartan on Its Legacy and Streaming Rebirth
Alias actors Carl Lumbly and Michael Vartan recall their work with J.J. Abrams, Jennifer Garner, and others on the spy/sci-fi action thriller, now airing on Disney+.
Alias actors Carl Lumbly and Michael Vartan recall their work with J.J. Abrams, Jennifer Garner, and others on the spy/sci-fi action thriller, now airing on Disney+.
While murder and crime certainly run deep in Claude Chabrol’s world of subterfuge, the dark desires of human nature that provoke them run immeasurably deeper.
Director Nicholas Ashe Bateman on films as images from our dreams and subconscious and his fantasy debut, The Wanting Mare.
Hitchcock’s Rich and Strange follows a clueless English couple wandering the world and being chastened by what they find: their flawed selves.
We thoroughly inspect the four 1930s features and bonuses in The Film Detective’s The Sherlock Holmes Vault Collection.
Alfred Hitchcock’s Number Seventeen isn’t a great film but a good one that reminds us of what a casually obsessive craftsman he was.
Chucky is still a doll possessed by a person possessed by a demon, but there’s something far more nefarious going on in Syfy’s new series, Chucky.
Irreverent and with skin as thick as a pachyderm, mystery author Rex Pickett talks with PopMatters about the forces that compelled him to write The Archivist.
Lee Haven Jones on his debut horror film ‘The Feast’, which is influenced by the ancient Welsh Mabinogion literature of chilling folk tales, legends, and myths.
Is ‘Last Night in Soho’ a critique of nostalgia, or does it use nostalgia to suggest new possibilities for a cross-generational alliance among women and girls?
WWI was underway when silent film Filibus hit theaters, so this elegant, war-free escapism of immorality among the ruling class may have provided mass therapy.