When anyone looks in the mirror, Le Courbeau's Vorzet suggests, they see a devil accompanied by an angel. See the premiere of a new 4K restoration with an all-new translation of Le Corbeau at Film Forum NYC 20 April through 1 May.
Humankind has become its own monster-of-the-week in Season 11 of The X-Files.
Why was Henri-Georges Clouzot's film noir Le Corbeau banned by the French film industry?
Erased's time travel and superb child actors remind us of the importance of living in the present.
There's a lot packed into a short 350 pages here, so leave your preconceptions of what "mystery" means behind and enjoy.
The Mad Men creator's debut novel has noir roots but plumbs his familiar territory of modernist anxiety with a savage precision.
Rogue filmmaker Alex Cox ties The Prisoner's island mentality and palpable "cupcake fascism" to current political events, including Brexit, in I Am Not a Number.
The dance of the masculine and feminine is slow and dangerous with ignorance and assumptions in Shariar Mandanipour's tale of a damaged man's ascent to reality.
Under the lens of cultural and historical context, as well as understanding the reflective nature of popular culture, it's hard not to read this film as a cautionary tale about the limitations of isolationism.
The uncanny similarity of scenes in this show to the Hollywood harassment/abuse stories -- up to and including the proposition that suffering can advance one's career -- reveals Westworld to be too content to reenact the mechanisms of systemic abuse.
Everything in film is a performance, including the camera itself. Lanthimos discusses his career from making commercials to his latest, The Killing of a Sacred Deer.
Dan Brown's The Da Vinci Code feels like a Johnny-the-Baptist-come-lately of preexisting Seinfeld scripture.
Vachon delves into the inspiration behind Todd Haynes' latest and comments on the deaf community's reaction to the film.
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