It’s Too Hot to Hate in Climate Change Series ‘Extrapolations’
Scott Z. Burns’ audacious if dramatically uneven climate-change Apple TV+ series shows that while the Earth will change radically, people will not.
Scott Z. Burns’ audacious if dramatically uneven climate-change Apple TV+ series shows that while the Earth will change radically, people will not.
To some extent, György Fehér’s murder mystery, Twilight feels like a brooding film about Communist hangover, about an inability to breathe.
The new crime drama Poker Face is one of the few TV shows to serve up an authentically represented vegan sensibility.
Brandon Cronenberg’s horror film Infinity Pool lets the intriguing concept of body doubles married to themes of crime and punishment and the class system, go to waste.
French true crime adaptation The Night of the 12th (La nuit du 12) is a response to the fraught relationship between men and women, and the detective as metaphor.
What we have with The Wonder is a film that begins by discussing a historical crime and ends up committing one – or at least the narrative equivalent.
David Duchovny’s novella The Reservoir drifts into the murky depths of the fever dream state of isolation and dislocation.
Scott Cooper’s The Pale Blue Eye has Edgar Allan Poe (Harry Melling) making an unconventional partner to Christian Bale’s 1830s sleuth.
In its exploration of themes like paranoia, voyeurism, and loneliness, Hitchcock’s Rear Window strikes a familiar chord with the social media climate we live in today.
H.P. Lovecraft’s masterful method of telling a horror story eludes “Pickman’s Model” and “The Dreams in the Witch House” from Guillermo del Toro’s Cabinet of Curiosities.
Argentine noir El Vampiro Negro is a visual mastery of Expressionist nightmare with a bravura style that makes film buffs of the high studio era swoon.
The television show Miss Sherlock bends and twists the conventional Japanese character into something that fills the world of Sherlock Holmes.