
The Spirit of Redbone’s Ghost Dance at Wounded Knee
“We Were All Wounded at Wounded Knee” was omitted from Redbone’s 1973 US-version album Wovoka, but it was top of the charts in parts of Europe.

“We Were All Wounded at Wounded Knee” was omitted from Redbone’s 1973 US-version album Wovoka, but it was top of the charts in parts of Europe.

If everyday fascism’s essence is the anti-humanist view of living beings as disposable instruments, then Cormac McCarthy’s Blood Meridian is its field manual and warning.

Crime drama Keep Quiet may seem abrupt and pared-back, but there’s confidence and depth in its study of inner peace amidst social turmoil.
Ken Burns talks about his forthcoming PBS documentary The American Buffalo, the near extinction of the majestic beasts, and their respectful return to their rightful homeland.
The gorgeously shot 1930 ethnography, ‘The Silent Enemy’, depicts the life of an Ojibway tribe long before the advent of European explorers and settlers.
Throughout his career, Fairbanks scrubbed his scripts of racist elements. The Half-Breed is a rare example when racism is foregrounded as a theme.
There's really nothing quite like this in other collections of "primitive" art, or even in the grand narrative painting from the European tradition.
These stories demonstrate a sweeping range of complex characters whose dynamic standpoints spark the imaginations of any reader.
At times humorous but also permeated with sadness, Walking the Rez Road illuminates those who have inherited generations of institutionalized oppression while adding their own layers of pain and dejection.
With Songs My Brothers Taught Me, Chloé Zhao and her team have created an emotionally compelling neo-realist portrait of a family and their community experiencing the stresses and pressures of post-colonial life.