
Weimar Comedies Have Us Laughing on the Precipice
Did Weimar cinema predict Germany’s yearning for a strong leader? Or was it largely the escapist nonsense everyone else was making?

Did Weimar cinema predict Germany’s yearning for a strong leader? Or was it largely the escapist nonsense everyone else was making?

As with the Nazis and Goebbels and the Ku Klux Klan, the alt-right’s desire to co-opt pop music for their purposes requires ideological and ethical gymnastics.

In graphic novel Belonging, Nora Krug takes a single idea – her family's involvement in the Second World War and Nazi Germany – and pursues it with relentless, forensic determination.

The beautiful storytelling of Anna Seghers' World War II classic belies its important insights into life under fascism.


Historical drama Flame & Citron presents dilemmas about innocence similar to Steven Spielberg’s Munich and Paul Verhoeven’s Black Book.