Joe Wright's sharp and only occasionally sentimental snapshot of Churchill in extremis as the Nazi juggernaut looms serves as a handy political strategy companion piece to the more abstracted combat narrative of Dunkirk.
The German silent film classic The Cabinet of Dr. Caligari (1920) eerily displays the same ideological ground as The Hunger Games (2012). In fact, they may be similar cultural markers of the consciousness of these respective civilizations, although they appeared during distant epochs.
The Criterion release of Ernst Lubitsch's farcical antidote for Nazism, To Be or Not To Be proves worthy of a masterpiece, with a pristine transfer and extras that illustrate how only he could have done it.
In these stories about the French before and during WWII, Némirovsky abjures commentary and merely observes the way that human beings go about their petty and ever-disappointing daily business. Thus, her writing is especially cruel.