In Amy Seimetz’s ‘She Dies Tomorrow’, Death Is Neither Delusion Nor Denial
Amy Seimetz's She Dies Tomorrow makes one wonder, is it possible for cinema to authentically convey a dream, or like death, is it something beyond our control?
Amy Seimetz's She Dies Tomorrow makes one wonder, is it possible for cinema to authentically convey a dream, or like death, is it something beyond our control?
Amy Seimetz's thriller, She Dies Tomorrow, is visually dazzling and pulsating with menace -- until the color fades.
Monsters and Men, Director Reinaldo Marcus Green’s triptych narrative about a police shooting of an unarmed civilian, takes viewers to that complicated place that occurs in a single moment.
Brady Corbet's second film, Vox Lux, has a chaotic relationship with celebrity and carries a heavy — some might say overloaded — symbolic heft. How is it that it's still so fun?