Two of the top players in modern jazz make the second in a sequence of quintet recordings that presents jazz as unusually easy to love even as it maintains modern complexity.
Guitarist Liberty Ellman's compositions for this brilliant sextet on Last Desert demand that you pay careful attention, but not that you tolerate harsh tonalities.
New Jazz guitarist Miles Okazaki brings back his brilliant quartet for a follow-up to and transformation of 2017's Trickster, daring some new challenges and sometimes coming through with answers on The Sky Below.
New Jazz pianist and composer Kris Davis makes a recording that presses with excitement into hip-hop and groove music without sacrificing any daring or compromising her vision.
Saxophonist and composer Steve Lehman merges jazz tradition with New Jazz exploration in a format that enjoys a connection to the past even as it pushes forward.
The most versatile pianist in jazz, Matt Mitchell makes a fiery album of new music that definitively rocks even in its intricacy.
A composer and woodwind player who is expertly walking the line between jazz and new music, Anna Webber has assembled a great band of improvisors to follow her mostly-brilliant treasure map in the new jazz.
Jazz pianist Myra Melford's ensemble of light textures and dancing rhythms continues to be creatively attractive but still challenging new jazz.
Trumpeter and composer Jonathan Finlayson's third recording continues his streak of crackling, urgent music, this time matching his horn with two saxophones in a set of swirling new jazz.
Andy Milne and Dapp Theory, a band known for funk and creativity, play less groove and more beauty on its way to someplace truly original.