
Ratboys Find New Clarity in Old Ghosts on New LP
Singin’ to an Open Chair is a wonderful album that shows Ratboys revving their engine once again, ready to take another long, curious lap around the block.

Singin’ to an Open Chair is a wonderful album that shows Ratboys revving their engine once again, ready to take another long, curious lap around the block.

One of Emmylou Harris’s most unusual releases, Spyboy expands her catalog, offering many revelatory glimpses into a unique facet of her artistry.

Airline Highway provides evidence of Rodney Crowell’s literate craftsmanship as a songwriter. The songs are his master and mistress here.

These new songs show James McMurtry’s talent at addressing current issues and fanciful concerns with a sharp wit, a critical eye, and a heavy-hitting pulse.

The Devil Makes Three let listeners lose themselves in song, but not without missing sight of the deeper truths. It’s a compelling and cathartic musical experience.
Sunny War’s music and lyrics stand in resistance and vulnerability, evoking a reminder of music’s powerful ability to inspire change.
Sunny War is a punk rocker who now lives in the country music capital and writes personal folk-based protest songs about our mutual situation.
Listening to Lilly Hiatt’s Forever, her first album in four years, one can’t help but get swept along in her romantic bliss and the music’s hypnotic pulse.
Can’t Steal My Fire: The Songs of David Olney introduces one of America’s great but overlooked songwriters to a broader audience.
Nite Owls is JD McPherson’s most fully realized front-to-back example of his talent yet, and it points the way to an even more exciting follow-up.
Moon Mirror finds long-running power poppers Nada Surf relaxed and having fun with the same strong, catchy songs they’ve written for nearly 30 years.
Emily Nenni’s Drive & Cry is an excellent example of how country music has evolved without necessarily changing. It all depends on who is singing.