Quarter Century Classix finds Ben Lee tackling songs from the 1990s, including pieces from Pavement, the Breeders, Sonic Youth, and Guided By Voices. "What's funny about this generation of music... is that because that was my formative music, it was also something I had to push against at a certain point."
Lo-fi, garage rock, and '60s pop influences abound on Dan Luke and the Raid's debut album, Out of the Blue. Hear "Black Cat Heavy Metal" and "Last Goodbyes" ahead of the 11 October release.
"High Holiday" is the new song culled from Kacy & Clayton's upcoming Jeff Tweedy-produced LP on New West. Clayton Linthicum chats about the writing and recording process and life on his country's Great Plains.
Americana's Aaron Lee Tasjan has created a re-recorded version of 2018's Karma For Cheap to which he's added a new song. The accomplished artist discusses songwriting, performing, influences, and his latest work in this wide-ranging interview.
Ahead of his Cover Your Tracks EP, Americana's Corb Lund teams up with Hayes Carll for a rousing rendition of Dr. Hook & the Medicine Show's "Cover of the Rolling Stone".
A sprawling and deeply conceptual work, Los Coast's Samsara touches on personal, social, and philosophical dilemmas while never losing sight of its basic purpose, to move the heart and the feet.
Luther Dickinson and a remarkable group of roots music vocalists explore their own pasts on the vibrant new Americana collaboration, Solstice.
Luther Dickinson's new single "Hallelujah (I'm a Dreamer)" features the talents of bassist/vocalist Amy LaVere on an album that shines light on her, the Como Mamas, Amy Helm, Birds of Chicago, and Sharde Thomas.
Robert Ellis is a changed man on Texas Piano Man. Ellis has always composed sharp introspective lyrics about himself and the world. That hasn't altered, albeit his music has become more outwardly sophisticated.
Ron Gallo has discovered the secret to happiness even though he struggles to behave accordingly. It's simple: just be in the present moment.
On ATW, All Them Witches wisely avoid repeating themselves, instead filtering the heavy, stoner rock of Dying Surfer Meets His Maker through the more expansive, psychedelic haze of Sleeping Through the War.
