
Gravity’s Rainbow Under Today’s Hypersonic Skies
In our era of awe-inspiring hypersonic weaponry, we turn to Thomas Pynchon, who warns in Gravity’s Rainbow that the Rocket is never mere hardware; it is a nihilistic creed whose liturgy is speed.

In our era of awe-inspiring hypersonic weaponry, we turn to Thomas Pynchon, who warns in Gravity’s Rainbow that the Rocket is never mere hardware; it is a nihilistic creed whose liturgy is speed.

Bellocchio's best work, Fists in the Pocket (I pugni in tasca) is key to understanding the stark shift Italian cinema experienced in moving from the post-realism phase of the 1950s into the experimentalism, social commentary, and surrealism of the 1960s.

Spanish avant-garde theater-maker Liddell and veteran metalcore band Converge try to make sense of the brief tragedy of the flesh.

The isolation of Blade Runner 2049‘s inhabitants reinforces their need for genuine connection, which the divisive effects of global capitalism undermines.


