
Barry Can’t Swim’s ‘Loner’ Is a Classic Touring Album
Loner will see Barry Can’t Swim continue his rapid ascent and, in turn, cement his status as one of the most exciting new talents in electronic dance music.

Loner will see Barry Can’t Swim continue his rapid ascent and, in turn, cement his status as one of the most exciting new talents in electronic dance music.

With Chorophobia, Weval have crafted their most club-ready album to date. With its laser focus on the dancefloor, it feels like a well-constructed DJ set.

Black Country New Road’s new LP embraces ornate baroque pop, shifting from raw intensity to intricate melancholy. Brilliant yet overstuffed, it rewards patience.

Floating Points’ Cascade is a bassy, minimalistic swirl of house, techno, and ambiance to be enjoyed on the dancefloor or as the backdrop to solo introspection.

Madres is Sofia Kourtesis elevated, a contemporary work of electronic dance music powerful on sonic and emotional levels alike.

In weird ways, Yeule’s softscars works as a satisfying slice of artful pop for the Anthropocene that oozes catastrophe and captures a real cultural moment.

On Hit Parade, Róisín Murphy takes her sound – a swirling cacophony of electropop, synthpop, and nu-disco – and looks to soul to elevate her music.

Drawing from disco, funk, and R&B, Little Dragon’s Slugs of Love is genre-crossing music, achieving an artful balance of danceable tunes and reflective moods.

Jayda G’s Guy is an admirable and occasionally affecting project that balances both personal vulnerabilities with uplifting and life-affirming music.

Young Fathers declare their awareness of what’s going on but take it a step further. Heavy Heavy urges the audience to do the heavy lifting and “have fun”.

The bold sophomore album from the London experimentalists is a singular work rife with ambitious songwriting and sincere, sharply-observed emotions.

Bonobo’s Fragments represents a rare step back from one of the 21st century’s leading electronic luminaries. It doesn’t bring enough new ideas.