Shamir’s gorgeous voice is a genderless, androgynous instrument, soulful, tight, airy, and jazzy, capable of lilting beautifully over shiny pop beats.
The always-brazen Deerhoof challenged their process for their new album, giving themselves tight deadlines, tough decisions, and singing it all in Japanese.
Chicago teens Horsegirl repackage lovesickness into cozy noise-pop on their new single “World of Pots and Pans” with their debut LP due out in June via Matador.
On the first new Amusement Parks on Fire record in over a decade, Michael Feerick continues to push the boundaries of what a rock album can be.
My Bloody Valentine’s ‘Loveless’ offers a gender-bending sonic style that severs the entrenched connections between the electric guitar and masculine phallic power.
The three albums Los Campesinos! released after their debut showed who the band really were: angrier, artier, and more thoughtful than we initially thought. Romance Is Boring holds up in its notable decade-on reissue release.
With a headlining show as part of Ghostly International's 20th anniversary, Tobacco reflects on his own start, why he went with Ghostly, and why his old band Black Moth Super Rainbow is closing up shop.