
’68’s ‘They Are Survived’ Is the Sound of Two Against the End
For 13 years, ’68 made noise rock that was, essentially, about how life-affirming it is to make songs. With They Are Survived, they say goodbye at full volume.

For 13 years, ’68 made noise rock that was, essentially, about how life-affirming it is to make songs. With They Are Survived, they say goodbye at full volume.

THE HORIZON SPIRALS / THE HORIZON VIRAL brings together two legendary experimental artists, OOIOO and Lightning Bolt for a delirious ride.

A Place to Bury Strangers resurrect lost obscurities for a record that paints a map of their past and future simultaneously. Oliver Ackerman describes the process.

Stuck crank up the intensity in melody and harmonic texture, layering dominant melodic lines over a foundation of chords and central themes.

Evil Island features three members of the Blood Brothers, and the rotting apple doesn’t fall far from that tree.

D.R.L.N. have gotten closer than ever to capturing their live experience on the singles they have released recently.

The lead singer of the New York noise institution Unsane, Chris Spencer, talks about the reissue of their classic Occupational Hazard.

Everyone in Shiner is focused on their new album, which is another stellar release, sure to please longtime fans and likely to convert some new ones.

This is Shiner at the peak of their powers, delivering a juiced-up version of their sound. It’s a must-listen for anyone who loves heavy, catchy rock songs.

If we need an example of someone who embodies strength and vulnerability as non-dual, Courtney Love rules. She will also eat your pasta and not give a fuck.

Every so often, a band like Lifeguard appear and aren’t experimental, but flaunt their impeccable influences in a way that’s so brash and confident.

Swans’ Birthing isn’t so much music as a reaction against music—a disavowal of melody, pleasure, and your nervous system’s comfort threshold.