Lightning Bolt's Sonic Citadel is both punishingly noisy and, at times, surprisingly tuneful. People who are on Lightning Bolt's exceedingly loud, improvisational vibe will find plenty to like here.
The last in Cherry Red Records' four Dinosaur Jr. album reissue series, Hand It Over, makes a clear case for the appraisal of an album that deserved far more than it received.
Dinosaur Jr.'s last chance to bite at the apple of fame came in late 1994 with their album, Without a Sound. This expanded edition from Cherry Red Records makes the case for hearing it free of the baggage of that alt rock era.
One of alternative rock's key statements arrived in 1993 with Where Have you Been. It receives the definitive treatment from Cherry Red Records in the second of a four album reissue series encompassing all of Dinosaur Jr.'s major label releases.
A long-overdue reissue of Dinosaur Jr.'s Green Mind from Cherry Red Records wraps a superb album in top-notch outtakes, scorching live renditions, liner notes worth the price of admission, and great artwork.
Portland duo Fox Medicine recall the intersection of environmentalism and wicked humor in the earliest grunge, and offer up their own brand of "bubblegum doom" on "Comfort Pony".
Brazilian-born, Canadian-based duo Palm Haze deliver a deliciously weighty bit of goth-cum-shoegaze that feels like this could be one of your new favorite bands.
On Nighttime Stories, instrumental quartet Pelican make the most out of working without a singer, proving that some narratives are best built without words.
Guitar Wolf, Japan's answer to the Ramones, has proudly kept their shtick going for 32 years, and the ravenous pack doesn't let up in their latest, Love and Jett.
Like their namesake, Black Midi are a restless, unstoppable force that push their members and listeners to their limits in Schlagenheim.
Cherry Glazerr's singer, main songwriter, and guitar player Clementine Creevy is not one of those artists who wishes everyone would leave her alone. She's made a big rock star album in Stuffed and Ready and she's having a blast playing sold-out shows.
There's an 'exorbitant' something that might be considered the implicit subject of Daughters' You Won't Get What You Want, in which it's never entirely clear if the threat is invasive, exerted from outside, or the confession of internal struggle.
After 19 years of silence, Royal Trux returns rejuvenated and unleashes an old-school, energetic, and fun ride in White Stuff.
With its personal perspectives on the effects of the current cultural zeitgeist, Cherry Glazerr's Stuffed & Ready is not simply a great rock record, but an important document in the early days of 2019.
On Boy Meets Girl, Japan's ENDON carry down the same path of aggression tilting towards their hardcore-esque origins.
Noise rock, mathcore veterans Daughters make a fantastic return to the extreme, experimental scene with the highly potent and verging on sadistic You Won't Get What You Want.
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