Featured: Top of Home Page/Features/FilmThe Evil That Men Do Lives After Them By Thomas Britt / 23 January 2014 Caesar Must Die and The Act of Killing are experiments that mix fiction and reality in distinct ways in order to investigate the relationship between freedom and violence.
Culture/Featured: Top of Home Page/FeaturesHow the Paparazzi Everyman Is Failing Our Entertainers, Failing Ourselves By Thomas Britt / 19 December 2013
Featured: Top of Home Page/Features/FilmThe End of the Beach Boys’ Summer By Thomas Britt / 6 August 2013
Featured: Top of Home Page/Features/FilmWarning! These Films Contain Madness By Thomas Britt / 13 June 2013
Culture/Featured: Top of Home Page/Features/Film‘Spring Breakers’, ‘Pain & Gain’ and Postmodern Folly at the Movies By Thomas Britt / 9 May 2013
Featured: Top of Home Page/Features/Film/Music/TelevisionThe Ethics of Control: ‘Paul Williams Still Alive’ By Thomas Britt / 14 February 2013
Featured: Top of Home Page/Features/Film/TelevisionA Show Divided: ‘Entourage’ as Satire and Misfire By Thomas Britt / 4 December 2012
AllMedia Effects: Trayvon Martin, George Zimmerman, and the Justice of Journalism By Thomas Britt / 5 June 2012
Featured: Top of Home Page/FilmAgitprop to Occupy My Time: ‘In Time’ for the Revolution By Thomas Britt / 8 March 2012
Featured: Top of Home Page/Features/FilmThe Tabloidization of Errol Morris By Thomas Britt / 26 January 2012
Featured: Top of Home Page/TelevisionThis Show Just Got a Little Too Real: Bravo’s ‘Real Housewives of Beverly Hills’ By Thomas Britt / 2 November 2011
Culture/Featured: Top of Home Page/Features/Film/TelevisionWeighing In: Fitness Films and Ordinary People By Thomas Britt / 16 August 2011