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On his latest, Salvavidas del Hielo, Drexler only uses voices and guitars to create thoughtful pop. He discusses the new sounds he's found with PopMatters.

Nate Parker's sexual assault acquittal forces the Academy to either support underrepresented black artists or stand against the sexism of which it has been accused -- but not both.

For more recent winners who don't have the benefit of the studio system, Oscar can be like a frenemy to them.

The barrage of Oscars-related hate on Twitter and other social media can sure kill the fun of the Internet.

Though impossible to draw a singular connective line among the excluded, Joe Vallese can’t help but notice what the Academy apparently did not: the most accomplished, and now officially unrecognized, performances of the year were all fundamentally “of the body”.

Joe Vallese looks at the curious case of Naomi Watts' history with Oscar...

Austin Dale assesses the best of the techs today on Statuesque.

Dinesh D'Souza's complaints about the Academy "snubbing" his Obama documentary for political reasons would be worthy of note...were his film any good.

The film feels more like a character study than an Oscar candidate, but still, Chariots of Fire delivers a story that remains poignant today.

Yet another category of the Oscars that rarely gets the attention it deserves? Best Documentary Feature.

Though this was clearly a defining year for the actress, here are five other interesting things to know about the Oscar nominee's career in the entertainment industry.

Actor Corey Stoll breezed in to steal Midnight in Paris out from under his co-stars and now, headed into awards season, his memorable characterization of legend Ernest Hemingway in Woody Allen's most successful film to date feels decidedly poised to enter the Supporting Actor race.

Golden Age Hollywood scion, feminist activist, and general all-around bad-ass Jane Fonda is back, and this time she's hitting the campaign trail on behalf of the health of boomers and senior citizens.

The most-recently Oscar-nominated Gyllenhaal talks about why Jeff Bridges is sexy at 60, the dangers of falling for the wrong person and why Sissy Spacek rules.

Mazur checks out the year's best female acting and offers up a mostly alternative opinion to the boring Oscar-begging consensus picks including some you might not have heard about, yet.

As The Zombies once sung, "It's the time of the season/Where the love runs high". The studio's awards prospects are at the gate, campaigning hard, while we gallop into another kooky awards season.

With 2009's awards season about to ignite, it is time to analyze the ups and down of the recent rule changes, including what truly benefits from the expansion of Best Picture nominees and how this affects representation of cinematic excellence.