Oddly enough, while the major studios continue scratching their heads over how to sell yet another new format (Blu-ray) to disinterested consumers, several outside distributors made sure that this would be a digital year to remember.
At last, as in the final scene taken by a camera fixed to the exterior of a train as it clickety-clacks forward, the countryside speeding by, the rails extending into the distance, we can see that Wes Anderson is back on track.
From Julian Schnabel's artsy The Diving Bell and the Butterfly to the legendary Coen Brothers splendid adaptation of Cormac McCarthy's No Country for Old Men, PopMatters counts down the 30 best films of 2007.
Thrilling in its shiny surface detail, the NASCAR scene stretches before you like an anthropomorphized vista: this is the immediate future of animation, and Pixar, recently and loudly sold to Disney, means to own it.
The 40 Year-Old Virgin and Wedding Crashers might have made it safe for adults to go back to big-screen comedies in 2005, but it was the latter that reminded those viewers that adulthood doesn't mean growing up -- at least in the traditional sense.