Louise Erdrich’s The Sentence becomes a way to acknowledge the surrealism that has always pulsated just beneath the surface of American life.
The popularity of nuclear apocalypse is nostalgia for a time when our worries were wrapped in a single nuclear package, and all we needed was a bunker and a dream.
The Imagination of Disaster 2.0: Revisiting Susan Sontag in the Age of the Pandemic Horror Narrative
Considering Susan Sontag’s “The Imagination of Disaster” and modern apocalyptic narratives, are sci-fi and horror still “inadequate responses” to our world?
The entertainment industry had to change when COVID-19 closed almost all its operations. Media scholar Kate Fortmueller considers the lasting effect.
F. Scott Fitzgerald and his literary contemporaries ignored the 1918-1919 pandemic. Maybe that wasn’t such a bad thing.
Coping with the COVID-19 shutdown via a video game, where I have control over the apocalyptic outcome, was what I needed. Chrono Trigger delivered.
Peter Gabriel’s “I Have the Touch” perfectly captures the agonizing isolation that so many of us have been experiencing throughout the COVID-19 pandemic.
While we feast on fictionalized (and real) tales of murder and awfulness, we really just want to live our lives in peace and are not interested in preying upon one another. Our essential goodness has become clear during our times of COVID-19.
Our pandemic quarantine has become the sublime enactment of Baudrillard's theory of consumption – that modern consumption, with its myth of individual liberty and choice, is in fact 'de-socialising'.