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Film

The Erotic Disruption of the Self in Paul Schrader's 'The Comfort of Strangers'

Paul Schrader's The Comfort of Strangers presents the discomfiting encounter with another —someone like you—and yet entirely unlike you, mysterious to you, unknown and unknowable.

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Film

'The Canyons' and the End of Film

The first movie for the "post-theatrical era", The Canyons vividly illustrates a despairing, nymphomaniac generation run amok.

Film

Lindsay Lohan's Recovery in 'The Canyons'

Paul Schrader’s and Brett Easton Ellis' wickedly unnerving satire offers the usual Southern California power games, and also shows how soul-sapping this constant contesting can be.

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Thank You MGM For Finally Releasing 'Rolling Thunder'

You should order a copy of Rolling Thunder for yourself. Mine is in the mail.

Books

Paul Schrader by George Kouvaros

Taxi Driver is pioneering especially in relation to its unflinchingly contradictory anti-hero Travis Bickle, the character Schrader conceived who can perform noble deeds as well as insane violence.

Kieran Curran
Film

Yukio Mishima, of Love and Death

Death and sex were verboten, and Mishima took it upon himself to be a virtuosic provocateur; part passionate expressive modernist, part fervent traditionalist.

Reviews

The Walker

Like the heroes of several of Paul Schrader's other films -- American Gigolo, Light Sleeper, and, to an extent, Auto Focus -- Carter moves among women as if visiting an alien planet.

Reviews

Auto Focus (2002)

'Auto Focus' is, as its title suggests, about self-interest and -obsession.

Cynthia Fuchs
Film

Auto Focus (2002)

Paul Schrader's 'Auto Focus' is, as its title suggests, about self-interest and -obsession.

Cynthia Fuchs

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