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Keeping Some Dirt Under the Grass: John Hartford and the Roots of Newgrass

At a time when country music was shining like a new dime, John Hartford and his collaborators were digging into old time music to find something new.

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Music

To Lefty to Willie to Phossy with Love

Even in railing against the influence of another, the musician must admit that influence and its inescapability. Like Br’er Rabbit and the tar baby, every blow struck just brings the two closer together.

Music

Time for a Repress: ‘The Gilded Palace of Sin’

For people lucky enough to stumble upon the Flying Burrito Brothers, they made country cool. The music's simplicity and emotive directness, often derided and mocked by hipsters, could now be valid, vital and mean something to a modern audience.

Music

"Gone Country" and Hoping to Make It Back Alive

Going to Nashville to become country at this point is a little like going to New York City to become the Velvet Underground.

Music

Hank's Other Side: Religion, Radio, and the Roots of Country Music

Hank Williams' recordings for WSM's Mother's Best Flour radio show challenge the modern listener's idea that country music reserves Jesus for Sunday morning.

Television

CMAs and the End of Genre or: How I Learned to Stop Worrying and Love Kid Rock

This year's CMA winners point to a future where the only thing necessary to be classified as country is a desire to join in and sing.

Music

Countrypolitik: What's Right and What's Left About Country Music

At a first glance, country music seems traditionally allied with the sort of down-home, small-town ethics and values touted by the Republicans. But the politics of country music has never been a simple red or blue.

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