In her history of women in punk music, Revenge of the She-Punks, Vivien Goldman hefts the scene's virtues and the vices into one heap and concludes that some of it was necessary, some of it was fun, and some of it was evil.
His intellectual and journalistic training, coupled with an eloquent capacity for literary expression, enables Behrouz Boochani to bridge the lived experience of refugees with non-refugee audiences and to express it in the context of the critical social and political theory which shapes intellectual elites' understanding of the refugee crisis.
The Irish novelist Sally Rooney centers her drama, Normal People, around the desperations of youth under late-capitalism, but the novel's psychological excavations, nuanced and piercing, owe just as much to the influence of Jane Austen and Virginia Woolf.
Are fantasies mixed up with memories in Jan Němec's film adaptation of Arnošt Lustig's autobiographical story of surviving WWII, Diamonds of the Night (Démanty noci)? Will these babes forever be in the woods?
Daniel Rosenthal's illuminating collection in Dramatic Exchanges brings together some of the letters, postcards, telegrams, and emails exchanged by actors, playwrights, directors and other creatives involved in the National Theatre's story.