
‘Peter Hujar’s Day’ Finds and Makes Meaning in the Mundane
Ben Whishaw achieves something close to dialectical mesmerism in Peter Hujar’s Day; his performance is simultaneously monumental and mundane.

Ben Whishaw achieves something close to dialectical mesmerism in Peter Hujar’s Day; his performance is simultaneously monumental and mundane.

Music theorist Steven Rings helps readers understand Bob Dylan the performer, not the lyricist or songwriter, in a welcome and indispensable addition to Dylan scholarship.

Yiyun Li’s beautiful and complex autobiography Things in Nature Merely Grow is not about death or loss; it is about who we become when we lose.

Jafar Panahi’s Palme d’Or-winning revenge thriller, It Was Just an Accident, slices into memory and the desire for revenge with a double-edged knife.

One Battle After Another‘s sympathetic portrayals of left-wing radicalized groups seems an impossible-to-resist target of the pearl-clutching, but it’s been less of a lightning rod than expected on that front.

James Sweeney’s Twinless argues that the loneliness of contemporary, late-stage capitalism life is perpetuated by the very things that attempt to remedy it.

The Librarians is a vital David and Goliath documentary of the fight against book banning, a harbinger of fascism, in America.

Everything Is Now expertly demonstrates how NYC’s varied avant-garde subcultures were birthed in cold-water lofts, coffeehouses, and tiny storefront galleries and theaters.

Carlos Saura’s once censored Los Golfos exists in a purgatory between the relatively plot-less freedom of some neorealist films and the excesses of delinquent youth melodrama.

Comedian John Fugelsang organized The Separation of Church and Hate as a reference guide to encourage conversation about the Good Book during our fraught cultural-political times.

Documentary director Joshua Zeman’s time in true crime equipped him with an ability to craft dread and suspense, which goes a long way in Checkpoint Zoo.

David Baron’s pop history of the early Martian mania, The Martians, probes how deception, promoted by the fantasies of single-minded obsessives, predated Silicon Valley.