
‘Amrum’ Presents Wartime Distress with Visual Grace
Fatih Akin’s visually beautiful wartime drama, Amrum, turns a child’s survival into a memory handed from one talented filmmaker to another.

Fatih Akin’s visually beautiful wartime drama, Amrum, turns a child’s survival into a memory handed from one talented filmmaker to another.

In their music and now their graphic novel, The Midnight: Shadows, this synthwave duo weaves a distinct emotional identity around the narcotic effects of nostalgia.

Vigdis Hjorth’s Repetition is as concerned with repression and the unconscious as it is a manifesto on the power of writing.

Hole bassist Melissa Auf der Maur’s memoir goes beyond clichés to offer a truly compelling perspective on the bohemian community of 1990s rock.

Andy Beta’s Alice Coltrane biography, Cosmic Music, is an excellent work about this forward-thinking and often misunderstood musician.

In its gorgeous embroidery of color, sound, and thoughtful reflection, Sun Ra documentary Do the Impossible achieves the seemingly impossible.

The French were making their own postwar brand of dark, downbeat, terse, vivid, chic, and cynical criminal melodramas before anyone ever heard the term “French Noir”.

MGM musical Lovely to Look At is gorgeous stuff; the colors bleed so richly and profusely that they spread across the frames like melted crayons.

Like Cormac McCarthy, Andrew Krivak breaks complex actions, narrated in strings of independent clauses, into their elemental parts in Mule Boy.

Biographer Marisa Meltzer accentuates the inner depth of her talented subject in her book, It Girl: The Life and Legacy of Jane Birkin.

The post-human speculative sci-fi series Pantheon asks, can humanity recognize itself in its digital reflection?

The three Robert Hossein films in Wicked Games exhibit gender-based power struggles and existentialist tendencies with a touch of absurdism.