Walerian Borowczyk Explores the Obsessive Quest in ‘Story of Sin’
In Story of Sin, there's a realism articulated through a psychological terror, an anxiety ramped up to the wild-eyed surveying of struggle and compromise.
Polish
Parochial Hierarchy in Walerian Borowczyk’s ‘Goto, Isle of Love’
Shot in lustrous black and white, Borowczyk’s film straddles an impossible line between grim drama and ramshackle fantasy.