
‘Zero Day’ Disconnects Our Worst Fears
Technological uncertainty and our fears about mishandling the truth run through the disconnected cables of the political cyber-thriller Zero Day.

Technological uncertainty and our fears about mishandling the truth run through the disconnected cables of the political cyber-thriller Zero Day.

One Battle After Another‘s sympathetic portrayals of left-wing radicalized groups seems an impossible-to-resist target of the pearl-clutching, but it’s been less of a lightning rod than expected on that front.

In Paul Thomas Anderson’s dark comedy One Battle After Another, the liberationist politics of the 1960s make for a good show and a dead end.

In these two political thrillers from Henri Verneuil, neither is above faking out the viewer and both are obsessed with the architecture of the modern city.
Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.
Zülfü Livaneli’s Disquiet depicts the cruelty of Turkey’s culture wars with a literary virtuosity that demands a global audience.

Serenade for Nadia's complex plot allows Turkish author Zülfü Livaneli to sermonize on topics as varied as anti-Semitism, secularism and modernity, the role of faith in the modern world, diversity and multiculturalism, media and journalism, and more.
The people of Montana worked together to fight against the monetary and political damage caused by Citizen United. Reed's film documents that fight, and she talks with PopMatters about what that took, and what we, as citizens throughout America, must do next.