The Albert Camus of Travels in the Americas diaries is a passionate, despairing reckoner with the struggles of earthly existence, both personal and societal.
In Gramscian fashion, Frétigné details the material conditions of Antonio Gramsci’s insight and influence while shirking historical determinism and abstract idealism.
Nazi power had already risen and Hitler was Chancellor when The Black Cat shared its laser-focus on the dangers of the rising tide of right-wing politics.
Sean Fine and Andrea Nix’s new documentary, LFG, focuses on the women’s national soccer team’s court battle to get paid what they’re worth.
While historian Niall Ferguson’s broad survey of human catastrophe, Doom, has erudition, insight, and sweep, it is frequently derailed by contrarian carping.
Life during the destructive Trump era spurred a new level of activism. Nate Powell’s collection of comics essays, ‘Save It for Later’, wants to keep that fire going.
Are you ready for the Fourth Industrial Revolution? Can you imagine, for example, a hospital completely made of software? These and other forthcoming changes to the workplace and the global economy are explored in this excerpt of George Zarkadakis' Cyber Republic, courtesy of MIT Press.
Like The Contender's Laine Hanson 20 years prior, US Democratic Party Vice-President choice, Kamala Harris, cuts the oxygen feeding the US political climate's raging sexism.
Nicholas Buccola's The Fire Is Upon US is, at times, marred by glibness, impatience, and ahistorical tendencies that suggest, to an extent, it is also a reflective of the deteriorating conditions that mark our public discourse in 2020.