From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, PROTEST!, by Liz McQuiston, documents the integral role of the visual arts in passionate efforts for change. Enjoy this excerpt, courtesy of Princeton University Press.
I'd Fight the World explores the connection between country music and electoral politics, giving us a glimpse into how politicians used celebrity long before the rise of the "movie-actor president" and the "Twitter president".
Critic Mark Fisher never stooped to suckle the masses; nor did he fluff the pillows of academics. Colleagues Simon Reynolds and Darren Ambrose provide insight into Fisher's posthumous book, k-punk, and his intriguing legacy.
There's a lot of anger in the ugly, infuriatingly stupid, and implacable discourses of our political culture, to say nothing of the distorting, amplifying, and accelerating effects new media has for our anger. Perhaps it's time to revisit Martha Nussbaum's Anger and Forgiveness.
In Pat Buchanan's 1992 presidential address he evoked fear of "crossdressers in our midst" as a metaphor for the infiltration of liberal political culture. Grant Morrison's The Invisibles comics proved he had reason to fear.
Focusing on vinyl records and the labels that released them, An Encyclopedia of Political Record Labels traces the parallel rise of social movements in the second half of the twentieth century and the vinyl record as the dominant form of music distribution.
I've sworn, after learning about the latest kleptocrat billionaire to buy a club, or scrambling from the clash between hooligans and riot police, or hearing a homophobic chant rise up from the stands, I would give up on the game. Anyone with sense would.
Actor Amber Tamblyn is aspiring to something deeper than just the chronicle of herself as a young ingénue who came of age as a TV star in her memoir, Era of Ignition. In our politically tumultuous times, does she succeed?