Anti-fascist militants have played an important role in protecting community and democracy. Daniel Sonabend's We Fight Fascists brings light to that battle against fascism in post-war Britain.
Preston Sturges' classic Hollywood comedy The Great McGinty is an incisive and bold political satire that explores the ridiculous depths of American corruption—80 years before the Trump era.
In a brave new world dominated by platforms such as Facebook, Uber, and Airbnb, and marked by anxiety in the Age of the Anthropocene, McKenzie Wark's Capital Is Dead eschews digital utopianism for a sense of urgency that recognizes things have gotten serious.
Donald Trump's rise in American politics is not a resurgence of fascism, argues professor Enzo Traverso in his essay, "Trump's Savage Capitalism" -- it is something else. Traverso's essay is published in this excerpt from The U.S. Anti-Fascism Reader, courtesy of Verso Books.
Harry Harootunian's essays on modern Japanese history, collected in Uneven Moments from Columbia University Press, reflect a lifetime of intellectual contributions and span a wide range of topics in Japanese history. The tension between the historical and the everyday is a recurrent and vital theme in his work.
In Citizen K, director Alex Gibney refrains from judging his imperfect protagonist, exiled Russian oligarch business man and political philanthropist, Mikhail Borisovich Khodorkovsky.
In Climate Machines, Fascist Drives, and Truth, political theorist William E. Connolly explores how our assumption that the world is made for us has led us into a dangerous complacency.
From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, PROTEST!, by Liz McQuiston, documents the integral role of the visual arts in passionate efforts for change. Enjoy this excerpt, courtesy of Princeton University Press.
Legislation, the vehicle of idealists, is bereft of ideas in the times of Trumpism. We are left to fend for ourselves.
I'd Fight the World explores the connection between country music and electoral politics, giving us a glimpse into how politicians used celebrity long before the rise of the "movie-actor president" and the "Twitter president".
Critic Mark Fisher never stooped to suckle the masses; nor did he fluff the pillows of academics. Colleagues Simon Reynolds and Darren Ambrose provide insight into Fisher's posthumous book, k-punk, and his intriguing legacy.
Wasn't That a Time digs into the Weaver's empathy for the working class struggle, which was weaponized and politicized against them by the House Un-American Activities Committee.
There's a lot of anger in the ugly, infuriatingly stupid, and implacable discourses of our political culture, to say nothing of the distorting, amplifying, and accelerating effects new media has for our anger. Perhaps it's time to revisit Martha Nussbaum's Anger and Forgiveness.
In Pat Buchanan's 1992 presidential address he evoked fear of "crossdressers in our midst" as a metaphor for the infiltration of liberal political culture. Grant Morrison's The Invisibles comics proved he had reason to fear.
Designated Survivor Season Three effectively criticizes the Trump administration and poses complex questions in our time of the rise of the extreme right.
Focusing on vinyl records and the labels that released them, An Encyclopedia of Political Record Labels traces the parallel rise of social movements in the second half of the twentieth century and the vinyl record as the dominant form of music distribution.
I've sworn, after learning about the latest kleptocrat billionaire to buy a club, or scrambling from the clash between hooligans and riot police, or hearing a homophobic chant rise up from the stands, I would give up on the game. Anyone with sense would.
When order ruptures it leads to a state of crisis manifest in many ways, as we see emerging throughout the world. What can we do?
Actor Amber Tamblyn is aspiring to something deeper than just the chronicle of herself as a young ingénue who came of age as a TV star in her memoir, Era of Ignition. In our politically tumultuous times, does she succeed?
'Which Side Are You On?: 20th Century American History in 100 Protest Songs' Doth Protest Too Little
Ironically, James Sullivan's liberalism is fundamental to what's wrong with Which Side Are You On?: 20th Century American History in 100 Protest Songs.
Ian Birch's engaging Iconic Magazine Covers shows how magazines and their covers not only reflect social change -- they can also help bring about social change.
James Miller's Can Democracy Work? is a coming-of-age story for a generation of Americans whose ideals of social, economic, and political progress foundered on the rocks of brute capitalist power.
Carol J. Adams and Virginia Messina's Protest Kitchen provides easy, everyday tips to help make positive change in the world, but it might best be read with the comfort of a vegan Irish Cream in hand.
Joshua Sperling's biography of John Berger is more of an art history text that's focused on specific social and political elements as they are connected through Berger's perspective.
Kevin M. Kruse and Julian E. Zelizer show that the deep divisions currently roiling America have been long in the making in their work, Fault Lines.
Adam McKay's gonzo Dick Cheney biopic satire, Vice, won't be compared to Shakespeare, but it shares the Bard's disinterest in supervillains' motivations.
Beginning in Cuba in 1965, Ginsberg recorded his experiences behind the Iron Curtain. Iron Curtain Journals: January-May 1965 brings us with him, via his intimate diary.
Funny and thoughtful but not sharp enough, Jason Reitman's satire about Gary Hart's tabloid downfall aims for controlled chaos but settles for conventional finger-wagging.
Filmmaker Jason Reitman and co-writers Matt Bai and Jay Carson delve into the band-like creative process behind their thought-provoking political drama, The Front Runner, revolving around Gary Hart's scandalous 1988 presidential campaign.
Being humble and peaceable are not virtues, according to Oscar Wilde, as seen in his collection of essays, In Praise of Disobedience, disobedience and rebelliousness against inequality and tyranny are much more valuable to humankind.
In the prescient The American President, the president and his love interest push the liberal agenda while simultaneously living in the lap of luxury. Talk about having your cake and eating it, too.
Making Troy Great Again: On Shakespeare's 'Troilus and Cressida' and Trump's Ugly Political Rhetoric
The Trump presidency is Shakespeare's Troilus and Cressida made real – only it's stripped of the mythology and just lying bare and ugly for all to see.
Remember when Bright Eyes' "When the President Talks to God" and TV on the Radio's "Dry Drunk Emperor" protested George W. Bush? And when the Internet was full of promise for the best of humankind?