1980s Pop Music and the Atomic Pleasure Dome
Saturated in apocalyptic fears of the atomic bomb, 1980s music was also danceable and transporting. How can something that was so horrible also be so much fun?
Saturated in apocalyptic fears of the atomic bomb, 1980s music was also danceable and transporting. How can something that was so horrible also be so much fun?
In this excerpt from Thompson’s I Feel Love, which explores the far-reaching influence of song and singer, the disco groove moves Brian Eno and Giorgio Moroder.
With its devils and aliens, pop music can be a “window on the weird”, sweeping odd material lodged in subcultural pockets into the broader currents of culture.
Aretha Franklin’s superior soul albums, ‘Spirit in the Dark’ and Young, Gifted and Black’, see her stepping up to the ’70s Black Power movement.
Aretha Franklin, born a musical prodigy, was nurtured by her father, Reverend C.L. Franklin, and his numerous houseguests of gospel and R&B renown.
Adam Bradley's The Poetry of Pop works for what it obviously wants to be, a primer on American popular music.
Vincent L. Stephens confronts notions of the closet—both coming out and staying in—by analyzing the careers of Liberace, Johnny Mathis, Johnnie Ray, and Little Richard. This excerpt of Rocking the Closet explores the work of "Mr. Emotion", Johnnie Ray.
The genre-agnostic "Old Town Road" rapper's lyrics are less interesting than the scenery Lil Nas X drops them in.
Imagine John Yoko is a beautifully curated recollection of a song, an album, successive films, and the legacy of peaceful idealism from the people who made it happen and carry on with the message.
The new documentary by Steven Loveridge, Matangi/Maya/M.I.A., is an imperfect homage to the talents of its star, albeit with brief moments of fascinating inquiry at its center.
Jason Heller's Strange Stars, on David Bowie and sci-fi, is an exciting and loving look at a time when infinite wonder had a role in the pop music marketplace.
Macca knows, consent is sexy.