Were it not for Hollywood credence Korla Pandit – who could only realize himself by pretending not to be who he was – would have been little more than Missouri snake oil.
The Beach Boys’ Pet Sounds is not a racist text, but its impact was racist because it further encoded rock as a white genre, perpetuating the institutionalized prejudice that relegated African Americans to the margins of rock.
Thirty-five years later, the redemption narrative driving Paul Simon’s Graceland has expanded to excuse the morally questionable decisions he made in recording the album.
Let's take a journey to Pop Past and re-experience the best electronic albums from a decade ago. Many electronic sounds in 2010 remained in the margins, using the lexicon of its predecessors to define what they were.
This week we are celebrating the best post-punk albums of all-time and today we conclude with part five featuring Joy Division, Gang of Four, Talking Heads and more.
Shuttered inside our homes, contending with the COVID-19 outbreak, Nick Drake's third album promises rebirth and renewal: the pink moon is coming.
In 1969, the deeply strange musician known as Captain Beefheart released an album that is still ahead of its time a half-century later. PopMatters spoke with musicians and writers about this landmark work of art and why it continues to fascinate.