
Weezer Are in Their Golden Age
With their new album, Gold, will Weezer’s conscious uncoupling from technology’s crutches signal a less precise, perhaps less pop, sound?

With their new album, Gold, will Weezer’s conscious uncoupling from technology’s crutches signal a less precise, perhaps less pop, sound?

The 2010s were a pivotal era for emo. One of the most appropriate to trace the history of the emo revival is Andrew Sacher, who spent 16 years covering the scene.

How a supposed death sentence, PUP’s The Dream Is Over, ignited today’s pop-punk torchbearers 10 years ago.

The pop-punk institution Joyce Manor emphasize melody on another hooky collection of melancholy-tinged anthems.

Pop-punk’s Joyce Manor have a new album that’s a fresh take on their patented sound. “Bands in our scene can have songs from a decade ago blow up on TikTok.”

Lemonhead Evan Dando’s long-awaited memoir is an engaging, sometimes harrowing, trip through the 1990s alternative rock boom.
AFI’s resilience and innovation take center stage in Andi Coulter’s new biography, which is every bit as deserving of praise as more heralded peers.
The Linda Lindas voice the trials inherent to growing up in a society that devalues perspectives of the young, the feminine, and the ‘different’.
Pale Waves ride nostalgia like they were old enough to have lived it. Whether their mimicry is incidental or purposeful, Smitten is another enjoyable record.
Jimmy Eat World’s career has looked increasingly like that of bands they admire. They keep a devoted fan base happy with incendiary, hit-packed live sets.
The Wonder Years’ The Greatest Generation is a vulnerable document of the struggle of living with pain and suffering and the desire to overcome it through loving relationships and empathetic communities.
Pop-punk’s Fefe Dobson returns with her first new album in 13 years this Friday. She chats about Emotion Sickness and her growth as an artist.