
Sleigh Bells Combine Heavy and Light Extremes in Perfect Balance
Four years since their last full-length album, Sleigh Bells reflect on their journey purpose, furry loved ones along the way, and their new record.

Four years since their last full-length album, Sleigh Bells reflect on their journey purpose, furry loved ones along the way, and their new record.

The Zombies only had a couple of hit songs, yet Robin Platts’ Times and Seasons shows their almost inhuman staying power to this day.

David Ramirez has left us with his own not-so-gentle reminders that he explores restlessly, always finding new means of expression without sacrificing quality.

Blood on the Silver Screen sounds like a sonic masterpiece for modern times, with SASAMI’s ability to dazzle in varying formats while singing her heart out.

While Joy Burklund’s Songbouquet sounds inspired by many of the classic pop and rock records that preceded it, it also affirms the power of community.

With Jimi Goodwin sitting out on some tracks, Doves create a familiar mood, even if they do not achieve the same level of greatness.Â

Sam Fender takes another big step forward on People Watching, which includes a satisfying collection of songs about the human experience.Â

The Wombats’ Oh! The Ocean struggles with authenticity, balancing earnestness and self-critique, yet hints at untapped artistic potential.

Aimee Mann is a survivor, wizened by experience but willing to keep going with a bit of hope, and Bachelor No. 2 is the peak of her powers.

zzzahara’s new LP is about making the best of a bad situation, of transforming darkness into light. It’s a bittersweet testament to the spirit of Los Angeles.

Listeners should love this chance to luxuriate in Natalia Lafourcade’s beloved songs and spend an intimate evening with this gracious spirit.

Hard rock band Shinedown are never quiet about their struggles and never will be as they assure fans that being “slightly awkward, kinda weird” is perfectly normal.