James Blake Revisits His Roots on ‘Playing Robots Into Heaven’
Playing Robots Into Heaven is ultimately a flawed album, but at times it’s a worthwhile foray for James Blake into more beat-led, dancefloor-friendly music.
post-dubstep
Brits in Hot Weather #4: Ex-Display Model, Fatherson, Stratz, Model Man, and Petrie
Featuring stunning new sounds from Fujiya and Miyagi frontman David Best, anthemic alt-rock from Fatherson, fresh dancehall influenced grime from Stratz, emotive post-dubstep from Model Man, and a sun-drenched banger from Petrie.
Rizzla’s ‘Adepta’ Is One of the Most Inventive and Original Albums of the Year
Rizzla's Adepta is nothing short of a full-on, multi-sensory assault that constantly threatens to tear itself apart.
Dutch DJ Martyn Creates a Lasting Testament to Survival with ‘Voids’
Martyn's Voids is reflective of an artist who has survived a life-changing trauma and, in doing so, visited the very darkest places a mind can go.
Benin City’s ‘Last Night’ Is One of the Most Accomplished, Hook-Laden, Diverse Albums of the Year
Benin City's Last Night is not only the perfect soundtrack for one monumental night out, but it's also the soundtrack to the entire formative clubbing years.
Raime: Tooth
Electronic duo Raime follow-up their excellently bleak debut with a sophomore record that promises to resist and counter-attack the derelict world that surrounds them.