Kal Marks Introduce a New Lineup on the Punishing ‘My Name Is Hell’
On Kal Marks’ My Name Is Hell the vocal production is cleaner with the band’s new line-up, capturing the dynamic between Shane’s nonchalant singing and vocal cord-tearing screams.
post-hardcore
So High School: Taking Back Sunday’s ‘Tell All Your Friends’ Is the Quintessential Emo Album
Taking Back Sunday’s Tell All Your Friends shows emo for what it is: a sonic representation of what it really feels like to be an American teenager.
20 Years Ago the Internet’s Music Community Gave a Boost to …And You Will Know Us By the Trail of Dead
Today, 20 years later, the legacy of Trail of Dead’s Source Tags & Codes has developed as one that’s intertwined with Internet-based music journalism itself.
Perennial’s ‘In the Midnight Hour’ Is the First Great Punk LP of 2022
Perennial’s In the Midnight Hour is what you dial up on your car stereo when you’re looking to cruise with the windows down and scare your fellow drivers into a bit of submission.
Converge Embrace the Power of Collaboration on the Brilliant ‘Bloodmoon: 1’
Metalcore pioneers Converge unite with Chelsea Wolfe and Cave In’s Stephen Brodsky to craft a brooding work of goth-inflected metal with Bloodmoon: I.
20 Years of Converge’s Magnum Opus ‘Jane Doe’
Massachusetts metallic hardcore band Converge solidified their legacy with the release of their seminal 2001 album, Jane Doe.
Quicksand Extend Their Welcomed Comeback with ‘Distant Populations’
Post-hardcore veterans, Quicksand return with Distant Populations, a brooding album that demonstrates artistic valor and a grounded sense of discipline.
The 10 Best Fugazi Songs
Fugazi’s ethics and DIY attitude’s symbolism remain crucially important to their legacy and what we can learn from them in the 21st century.
‘Attic Tapes’ Illuminates the late Tim Taylor as the Epicenter of Brainiac’s Genius
Attic Tapes might be Record of the Year material for those who followed Brainiac back in the day. And it might also be a gem solely for completists.
Fiddlehead Deliver Hearty Post-Hardcore with ‘Between the Richness’
Fiddlehead’s Between the Richness takes from post-hardcore, punk, and emo and skips the boyish flourishes. Although it could benefit from being longer, it’s precise and vigorous.
Punk Rockers the T-Tops Are ‘Staring at a Static Screen’
Listeners are treated to 12 high-octane songs straddling the ill-defined spaces between punk, post-hardcore, and noise-rock on T-Tops’ Staring at a Static Screen.
30 Years of The Jesus Lizard’s Emotional, Meaningless ‘Goat’
The Jesus Lizard’s emotional yet meaningless 1991 album, Goat is full of head-spinning, swinging derangement that still leaves listeners reeling.
