
Static Dress Kill Emo Nostalgia on ‘Injury Episode’
Static Dress are the face of emo’s nostalgic new wave. They’re not here to provide nostalgia, though; they are here to kill it and build the present.

Static Dress are the face of emo’s nostalgic new wave. They’re not here to provide nostalgia, though; they are here to kill it and build the present.

Car Underwater reignite pop screamo. Their members are Generation Z’s most influential acts, but on Dagger Breaks Window they abandon experimentation.

Evil Island features three members of the Blood Brothers, and the rotting apple doesn’t fall far from that tree.

Exit Dream’s Out Your Skin” combines post-rock with hardcore roots and pop songwriting to create a cinematic soundscape.

Gouge Away’s “Figurine” is perhaps even a little prettier in the verses than the highlights of Deep Sage.

D.R.L.N. have gotten closer than ever to capturing their live experience on the singles they have released recently.

Who knew post-hardcore punk rockers Fugazi were so tough? I’ll never forget the day they strode through my warehouse and I laid down my tape gun.

Time doesn’t heal all wounds, but we have music to help. Touché Amoré’s Stage Four is as raw a statement on grief as there has ever been.

The Messthetics and James Brandon Lewis make fearless and non-smooth fusion with the clarity and dynamism of “post-hardcore” that wasn’t around in the 1970s.

If Love Is Not Enough announces anything, it’s a return to the stark architecture and the blunt-force grammar Converge helped codify.

The lead singer of the New York noise institution Unsane, Chris Spencer, talks about the reissue of their classic Occupational Hazard.

Everyone in Shiner is focused on their new album, which is another stellar release, sure to please longtime fans and likely to convert some new ones.