Today, 20 years later, the legacy of Trail of Dead’s Source Tags & Codes has developed as one that’s intertwined with Internet-based music journalism itself.
Perennial’s In the Midnight Hour is what you dial up on your car stereo when you’re looking to cruise with the windows down and scare your fellow drivers into a bit of submission.
Metalcore pioneers Converge unite with Chelsea Wolfe and Cave In’s Stephen Brodsky to craft a brooding work of goth-inflected metal with Bloodmoon: I.
Massachusetts metallic hardcore band Converge solidified their legacy with the release of their seminal 2001 album, Jane Doe.
Post-hardcore veterans, Quicksand return with Distant Populations, a brooding album that demonstrates artistic valor and a grounded sense of discipline.
Fugazi’s ethics and DIY attitude’s symbolism remain crucially important to their legacy and what we can learn from them in the 21st century.
Attic Tapes might be Record of the Year material for those who followed Brainiac back in the day. And it might also be a gem solely for completists.
Fiddlehead’s Between the Richness takes from post-hardcore, punk, and emo and skips the boyish flourishes. Although it could benefit from being longer, it’s precise and vigorous.
Listeners are treated to 12 high-octane songs straddling the ill-defined spaces between punk, post-hardcore, and noise-rock on T-Tops’ Staring at a Static Screen.
The Jesus Lizard’s emotional yet meaningless 1991 album, Goat is full of head-spinning, swinging derangement that still leaves listeners reeling.
Between the Grooves examines lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost all these years later.
