Fiddlehead Deliver Hearty Post-Hardcore with ‘Between the Richness’
Fiddlehead’s Between the Richness takes from post-hardcore, punk, and emo and skips the boyish flourishes. Although it could benefit from being longer, it’s precise and vigorous.
post-hardcore
Punk Rockers the T-Tops Are ‘Staring at a Static Screen’
Listeners are treated to 12 high-octane songs straddling the ill-defined spaces between punk, post-hardcore, and noise-rock on T-Tops’ Staring at a Static Screen.
30 Years of The Jesus Lizard’s Emotional, Meaningless ‘Goat’
The Jesus Lizard’s emotional yet meaningless 1991 album, Goat is full of head-spinning, swinging derangement that still leaves listeners reeling.
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Between the Grooves: lowercase – ‘Kill the Lights’
Between the Grooves examines lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost all these years later.
On IDLES’ Danceable Relatable Battle Hymns
It is not in IDLES' oft-derided lyrics but in their visceral performances that they connect with listeners.
Touché Amoré’s ‘Lament’ Subtly Reinvents the Past
Touché Amoré's Lament doesn't push the band's sound in new directions. Instead, it builds on what the Los Angeles post-hardcore band do so well already.
IDLES Have Some Words for Fans and Critics on ‘Ultra Mono’
On their new album, Ultra Mono, IDLES tackle both the troubling world around them and the dissenters that want to bring them down.
Old Man Gloom Mourns Loss on ‘Seminar VIII: Light of Meaning’ and ‘Seminar IX: Darkness of Being’
A heavy feeling of loss pervades Old Man Gloom's new albums as these songs are a way of coping and documenting grief, as well as commemorating how much Caleb Scofield meant to the band.
Human Impact Hit Home with a Seismic First Album From a Veteran Lineup
On their self-titled debut, Human Impact provide a soundtrack for this dislocated moment where both humanity and nature are crying out for relief.
Unsane, Cop Shoot Cop, Swans Alums Are Human Impact and They’re Mad As Hell
Imagine an orgy scored by rusty industrial equipment blasting New York City noise-rock, something like Unsane, Cop Shoot Cop, or Swans in their wicked primes. That's the noise-rock supergroup, Human Impact.
Tipping the Swear Jar: How mewithoutYou Used the F-Bomb to Say More Than the F-Word
Lyricist Aaron Weiss of post-punk Christian band mewithoutyou used the F-word in a song and it got banned from radio and the album got pulled from record stores. Meanwhile, his fans ponder his parodying of cultural mores.