
Loathe Lace Metal with Soul on ‘A Stranger to You’
Loathe changed the face of metal six years ago. With a new sound in tow, are they still capable of reaching those heights with A Stranger to You?

Loathe changed the face of metal six years ago. With a new sound in tow, are they still capable of reaching those heights with A Stranger to You?

With Solstice, A.A. Williams cements her status as one of her generation’s transcendent singers and further develops her persona as the tragic shero.

If Love Is Not Enough announces anything, it’s a return to the stark architecture and the blunt-force grammar Converge helped codify.

Deafheaven are going to make Lonely People With Power. They’re going to melt your face off. However, you have to wait for it. It’s magic.
Experimental metal trio SUMAC return with four tracks, a gargantuan runtime, and an experience that feels both frightening and healing on The Healer.
With their Les Chants De L’Aurore, the legendary French metal outfit Alcest weave together light and darkness in a characteristically compelling fashion.
Pelican’s newly remixed and remastered version of The Fire in Our Throats Will Beckon the Thaw is an excellent update of a post-metal staple.
Urne have turned suffering into art on A Feast on Sorrow, and the cathartic effect of doing so will no doubt push this exciting band to the next level.
Conceived on acoustic guitars in Chicago apartments, Pelican’s breakthrough second LP gets reissued, with Trevor Shelley de Brauw spinning many yarns about its creation.
French metal quartet Gojira introduce new wrinkles in their sound on Fortitude without abandoning their origins.
In a month of epic returns, Cult of Luna reinvigorate the post-metal flames, The Ruins of Beverast plunge to their blackened sludge depths and Emptiness take a hard post-punk turn.

On Terminus, the latest album from the project that rose from the ashes of Godflesh, Justin Broadrick once again plumbs the recesses of memory to retrieve his own signature blend of melody and heaviness.