Editors return to original recordings with Blanck Mass for 2018's Violence and release a special set that improves and expands on the "original version" with more depth, darkness, and exploration.
Liars Continue to Experiment with Solitude and Broken Relationships on 'Titles with the Word Fountain'
Liars quickly follow-up 2017's TFCF with TWTWF, a sparse, ambient set of tracks that continues Angus Andrew's experimentation as the sole remaining founding member of the band.
Even when Interpol tries to change up the formula, they can't help but sound like themselves on Marauder.
The Strokes' guitarist continues his solo career renaissance with an album as focused and sharp as anything he's ever produced.
The Fratellis fifth album is light, fun, and fast, incorporating new styles and musical cues that share revelry and spontaneity regardless of the scenario or feeling.
A Place to Bury Strangers buzzes and growls through "Never Coming Back" with no regard for noise ordinances, and it is, as is so often the case, a love-it-or-hate-it kind of situation.
Despite some missteps, Always Ascending features enough excellent dance tracks, experimentation, and optimism to keep Franz Ferdinand fun and relevant a decade and a half into their career.
Rhys Webb of the Horrors opens up about the process and direction behind their latest album, V, and how they've managed to thrive and stay together through their first decade.