
They Might Be Giants Are As Delightfully Weird As Ever
They Might Be Giants produce banger tracks, some really weird, very successful experiments, and another handful of songs where listeners’ mileage may vary.

They Might Be Giants produce banger tracks, some really weird, very successful experiments, and another handful of songs where listeners’ mileage may vary.

Marc Valentine creates an ebullient and concise album. The buzzsaw hooks hit their intended goals; the vocal leaps are concrete and aspirational.

5 Seconds of Summer add a new dimension to their reliable pop-punk formula by analyzing their own fame on Everyone’s a Star.

Lemonhead Evan Dando’s long-awaited memoir is an engaging, sometimes harrowing, trip through the 1990s alternative rock boom.

The Lemonheads’ Evan Dando returns with his first collection of originals in quite some time, adding country and psychedelia to the mix.

Catchy melodies and big guitars are the order of the day on Sloan’s 14th album, with a side of Chris Murph’s jauntier piano-driven songs to change things up.

The New Pornographers took their power pop to another level on Twin Cinema, with Carl Newman’s impeccable songwriting and all three vocalists dialed in.

If we need an example of someone who embodies strength and vulnerability as non-dual, Courtney Love rules. She will also eat your pasta and not give a fuck.

The Beths’ Straight Line Was a Lie is full of catchy hooks, big guitar riffs, and often introspective lyrics. The New Zealand quartet are at the top of their game.

Power pop was always music for other musicians to like, or for people whose record collections eclipsed their social lives. The songs were catchy and poppy.

Power pop acolyte Ryan Allen’s latest record showcases his mastery of the genre. He discusses how his solo releases differ significantly from his band work.

The Mayflies USA’s first album in 20-plus years has been worth the wait. It continues their power pop ways, while also moving them in promising new directions.