The masterful progressive work of Caligula's Horse, the reinvigorated spirit of Winter through Goden and Old Man Gloom's return alongside a healthy dose of black metal, hardcore-infused outbreaks, and noise rock highlight the month of May in heavy metal.
Boston's Wilderun construct an epic combination of folk, classical, metal, and progressive rock on their third LP, Veil of Imagination. Hear it in full before it's release tomorrow.
Twenty years into their career, instrumentally-driven trio Dysrhythmia still find new ways to surprise and astound listeners. Virtuosity isn't the only thing that matters here but it sure gives us a lot of marvel at on Terminal Threshold.
In Cauda Venenum is Opeth's most wicked record of the decade, signifying that their earlier evilness is still wonderfully intact.
Tool's Fear Inoculum meets nearly every expectation admirers could have and ranks as a worthwhile extension of the band's legacy.
Just about every listener—no matter their history or prior opinions—will deem Gold & Grey Baroness' masterpiece.
New Jersey progressive rock/jazz fusion septet, Thank You Scientist are as lovably technical, zany, and catchy as ever on this latest single from their upcoming third LP, Terraformer.
Fans of Katatonia, Opeth, A Perfect Circle, and Porcupine Tree will enjoy this new video from the upcoming sophomore release by the Swedish progressive metal collective, TheNightTimeProject.
Sabbath Assembly's "A Welcome Below" is a gorgeous and cathartic exploration into the journey of self-discovery and leaving behind that which oppresses us.
Valence's new LP, Cognitive Dissidents, is a relentlessly intricate and unpredictable—yet remarkably unified and welcoming—bit of wordless storytelling that will captivate fans of progressive rock.
Periphery IV: Hail Stan doesn't quite reach the heights of its two immediate predecessors, but it upholds enough of what made them great to satisfy while adding enough new characteristics to possess its own identity and merit.
Have you lost control? Are you nearly drowning? Or are you able to survive? Thunderclap asks these questions and more with heavy hooks and DNA-altering riffs on their new album Inebriocean.
Seattle progressive metal legends Queensrÿche return with their 15th album and major tour. According to guitarist and co-founder, Michael Wilton, it's all just one more stop on a path the seems to go on forever.
East of the Wall's new album arrives 29 March via Translation Loss, and bassist/vocalist Chris Alfano discusses their new song, "Somn 6".
Dream Theater's Distance Over Time is at its strongest when it feels improvised and energetic—not overly-planned, but rather like the gang holed up in a studio and decided to lay down some tracks.
Between the Buried and Me vocalist Thomas Giles recently released a new solo album and in this video, he takes us through each track.
This year provided introspective appreciation for creators and listeners alike for the sights and sounds of progressive music, as well as the more universal yet personal hardships and growths we all face.
Japanese black metal stalwarts Sigh explore madness through folklore and experiment with new sounds on Heir to Despair.
Recorded during a three-night residency at London's most prestigious music venue, Home Invasion captures everything you need to know about seeing Steven Wilson live.
Home Invasion celebrates Steven Wilson's victory lap after the chart success of 2017's To the Bone. Still, he says, there are more places to plant his flag, mountains to climb.
Coheed and Cambria get back to basics on The Unheavenly Creatures and drill down into exactly what makes Coheed and Cambria work best as a band.
The good stuff on Sunshine Dust makes it a generally decent listening experience. Skyharbor knows what they're doing as far as playing their instruments.
Voivod may be veterans at this point, but with The Wake, they're still providing one-of-a-kind genre-shifting vivaciousness.
Exploding with captivating melodies, genre-splicing resourcefulness, and remarkable cohesion, Automata II exemplifies what makes Between the Buried and Me so skillful, striving, and singular.
On their second album, the Antichrist Imperium make an attempt to extend their progressive death/black metal sound by embracing thrash elements.
Nevermore's The Complete Collection does an excellent job of gathering what we do have from a band that had much more to give.
With nearly a decade of live performances and LPs behind them, Icelandic collective Kontinuum appear poised to release their best work yet.
King Witch arrive at something like genuine progressive doom metal - atmospheric, heaving, dynamic doom riffs powered by strikingly sonorous vocals.
While a tad too familiar and safe, Automata I further cements Between the Buried and Me as the superlative act in modern progressive metal.
In this episode of the PopMatters Progcast, we reflect on our top albums of 2017, as well as discuss some of the major releases arriving this year.
Nashville's Lines in the Sky overcomes adversity and releases a video for a song that speaks to the outfit's perseverance ahead of brand-new album.
The next 12 months offer superb new releases from several genre heavyweights.
The first video from Morse's upcoming singer/songwriter LP is an effectively sparse and somber reflection on a real-life tragedy.
The atrocities of the Armenian genocide has run rampant through Serj Tankian's work in both System of a Down and in his solo career. Now, he soundtracks a film that talks about it in explicit terms, resulting in one of his most personal works to date.
There's common ground between all 20 metal albums despite musical differences: the ability to provide a cathartic release for the creator and the consumer alike, right when we need it most.
2017 was a year of rejuvenation for progressive rock and metal, with many artists bouncing back from potential hardships to prove just how much they can still offer in terms of trying new things while maintaining what made them beloved in the first place.
Aussie metal outfit beautifully blends the aggressive and the peaceful. Urn represents an evolution in Ne Obliviscaris' extreme progressive sound.
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