
The Trey Anastasio Band Shine a Guiding Light
Trey Anastasio’s music might not be able to save the world per se, but it shines a light that provides spiritual sustenance for fans.

Trey Anastasio’s music might not be able to save the world per se, but it shines a light that provides spiritual sustenance for fans.

Gen X nostalgia for 1980s music like Starship’s “We Built This City” and Toto’s “Africa” is built on old forgotten words and ancient melodies – and faulty memory.

Modern Nature’s new LP, The Heat Warps, is fabulously compelling and questioning, and the questions it asks are not the ones you expect to hear on a pop album.

The compulsively creative Bill Nelson was Be-Bop Deluxe’s visionary and truly one of the best of a generation thick with innovative, soul-stirring six-stringers.

The psychedelic rockers King Gizzard & the Lizard Wizard generate a new level of dazzling sonic alchemy with orchestral backing.

While much 1970s rock went straight up its arse, Be-Bop Deluxe offered a swift yet elegant kick in the crotch. Who knew that decades later it would still feel good?

Ghost’s more measured approach lends an appealing atmosphere of sadness, but fans will be clamoring for more energy and menace amidst the garishness next time.

Hedvig Mollestad Trio offer progressive rock, metal, free jazz, psychedelia, and dark ambient rolled into one exquisitely heavy yet organized whole.

On Everything Must Go, Goose celebrate the past, unlock new possibilities, and deliver one of the best studio albums by a jam band to date.

Matron’s Sunken State is such an enjoyable ride. It combines math rock’s complex, zig-zagging musical avenues with dream pop and plenty of good hooks.

Yes’ Close to the Edge remains a progressive rock landmark, but Rhino’s new Super Deluxe Edition does little to further that legacy.

Coheed and Cambria are in a contemplative mood, but that doesn’t stop them from deploying their trademark intricate guitar riffs and catchy choruses.