On Tour with King Gizzard & the Lizard Wizard at the End of Days
PopMatters hits the road for five shows in six days with psychedelic rock eco-rebels King Gizzard & the Lizard Wizard who have taken the US by storm.
PopMatters hits the road for five shows in six days with psychedelic rock eco-rebels King Gizzard & the Lizard Wizard who have taken the US by storm.
Opeth’s The Last Will and Testament is their most focused, disciplined piece of music to date and their heaviest work in more than 15 years.
David Gilmour visits 1973 early in the set with a crowd-pleasing trio of “Speak to Me”, “Breath (In the Air)”, and “Time” from The Dark Side of the Moon.
BEAT’s tour had the potential to be a revelation, especially to the generations that were too young to catch the King Crimson foursome more than 40 years ago.
On Absolute Elsewhere, Blood Incantation annihilate the death metal rulebook to spread an esoteric message of cosmic proportions.
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
In the post-punk era, progressive rock figurehead Robert Fripp and synth pop pioneer Gary Numan would shape the future sound of alternative rock and metal.
The verdict on Evolve is what so many people have given Phish in the past: the instrumentals are fabulous, but the lyrics leave something to be desired.
Tool’s Berlin performance drenched us in their esoteric lyrics, kept us spellbound under Keenan’s shamanistic delivery, and held us captive to enormous body horror imagery.
Progressive rock, arena rock, romantic ballads: Styx’s catalog presents an enviable chain of success, one that still yields surprises 50 years later.
Jam rock’s Phish at Las Vegas’ Sphere is like a sonic jackpot with all the bells and whistles that just keep paying out. It’s a wormhole to another dimension.
Imagine a train that seems to be going off the rails yet keeps on track, and you’ll get a sense of what The Messthetics and James Brandon Lewis sounds like.