Iggy Pop Is in a Frenzy on ‘Every Loser’
After more than 35 minutes of masterful music on Every Loser, does Iggy Pop seem to be a winner, a loser, or somewhere between the two? He is true to himself.
After more than 35 minutes of masterful music on Every Loser, does Iggy Pop seem to be a winner, a loser, or somewhere between the two? He is true to himself.
In The Velvet Underground documentary, Todd Haynes shows the music catapulting across time and space to Andy Warhol’s Factory, where the alchemy worked its magic.
Lou Reed and John Cale hint at the other side of the swinging ’60s with a fascinating collection of mid-’60s demo recordings for the Velvet Underground.
Todd Haynes’ audiovisual blast delves into the creative combat that birthed America’s first great avant-garde rock ‘n’ roll band, the Velvet Underground.
The soundtrack for Todd Haynes’ new documentary on Velvet Underground contains unimpeachable music but fails to offer a cohesive argument about the iconic band.
Using collage, clay animation, and 2D anime-style art with traditional archival footage and modern black-and-white interviews, Edgar Wright tries to capture the Sparks as a "Hollywood" band with an obsession for European visual art.
From graphic depictions of violence and death to ominous and grating musical atmospheres, Lou Reed created numerous frightening tunes.
Punk rockers Johnny Thunders and Wayne Kramer exist on a continuum of wild-eyed, angle-headed anarchists—a continuum filled with poets and artists and guitar-pickers, living and dead, who show us how to resist The Man.
Cherry Red's new box set finds Iggy Pop and the Stooges on their final death trip, falling apart for audiences between September 1973 and February 1974.
Garage rockers Magick Mountain debut with Weird Feelings, an album big on fuzz but light on hooks.
Television’s 1977 masterpiece Marquee Moon is the 25th Greatest Album of All Time, but is it too “too too” to put a finger on? Counterbalance sees it all backward.