
How Coppola and Faulkner Made Art from Apocalypse
Coppola’s Apocalypse Now and Faulkner’s “The Bear” deliberately confuse and disquiet our comprehension of slavery’s traumatic past.

Coppola’s Apocalypse Now and Faulkner’s “The Bear” deliberately confuse and disquiet our comprehension of slavery’s traumatic past.

On the passing of legendary director David Lynch, we share five films that nailed us in our hearts and guts and skewered us to our soft, squishy, emotional cores.
Workplace drama Severance Season 2 enhances performance by moving sideways from work ethics to reach the complicated hearts of its protagonists.
Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.
Fight Club conveyed Gen X men’s frustration, leading to paramilitary militia groups and Promise Keepers. It lends itself to reinterpretation to this day.
Filmed under a cool glass of calm and enwrapped in an airy atmosphere, La Cérémonie makes judicious use of its setting to starkly contrast its warring classes.
The final season of Barry irreparably breaks the mold of the tragicomedy genre and unflinchingly severs the umbilical cord between the audience and the protagonist(s).
Like pride before a fall, the psychological drama God’s Creatures critiques the sentimentality of blood and the tribal mindset of loyalty above conscience.
Altman’s Images is a complex, haunting, and always disturbing film about the slow realization that one’s sanity is at stake.
Exploring the darker core of Frank Capra’s Christmas classic It’s a Wonderful Life reveals just what is so wonderful about life.
Fassbinder’s stifling drama about the sufferings of dependence,The Bitter Tears of Petra Von Kant, is high camp, where the sparks fly with radiant colours.
Bernardo Bertolucci’s magnificent drama The Conformist bridges the supreme elegance of the jazz age with Euro mod-chic.