‘Evil Dead Burn’ Has a Twisted Touch of Artfulness
Director Sébastien Vaniček, cinematographer Philip Lozano, and editor Maxime Caro bring much-appreciated visual artistry to the grotesquerie of Evil Dead Burn.
psychological horror
‘House of Dreams’ and the No-Budget Hell of No-Budget Horror
House of Dreams explores the nightmare of creativity one must endure to make a no-budget horror movie.
‘Backrooms’ Is Horror Cinema’s ‘Lost’
Kane Parsons’ uncanny creeper Backrooms is a Borgesian labyrinth of thrilling yet ultimately disappointing potential. Not that there’s anything wrong with that.
Satire Is No Longer Critical; It’s Inspirational
Satire meant to critique corporate greed and the dark side of masculinity has instead inspired a new kind of performance identity.
American Psycho’s Soundtrack to Duality and Deception
American Psycho‘s Patrick Bateman is the spiritual ancestor of the Rotten Tomatoes addict, the Metacritic worshipper, the Spotify listener who judges worth by stream count.
Workplace Drama ‘Severance’ Enhances Performance and Hits High Targets
Workplace drama Severance Season 2 enhances performance by moving sideways from work ethics to reach the complicated hearts of its protagonists.
Sundance Film Festival 2025 Is at a Crossroads
While the Sundance Film Festival still uplifts under-the-radar films in an increasingly challenging market, its future may be in doubt.
Alfred Hitchcock At the Peak of His Skill
Alfred Hitchcock: The Iconic Film Collection shows a master of restlessness and range at the peak of his skill and in the last full bloom of his career.
Whose Nostalgia Drives Edgar Wright’s Psychological Horror ‘Last Night in Soho?’
Is ‘Last Night in Soho’ a critique of nostalgia, or does it use nostalgia to suggest new possibilities for a cross-generational alliance among women and girls?
Alfred Hitchcock’s ‘Psycho’ Is the Mother of All Horrors
Psycho stands out not only for being one of Alfred Hitchcock's greatest films, it is also one of his most influential. It has been a template and source material for an almost endless succession of later horror films, making it appropriate to identify it as the mother of all horror films.
Get Out of the Shower!: The Shower Scene and Hitchcock’s Narrative Style in ‘Psycho’
In Psycho, Alfred Hitchcock subverts the narrative expectations laid out in the early parts, producing something very different from the suspense film that we anticipate.
Reading ‘Paradise Rot’ Will Leave You Feeling Woozy
Jenny Hval is writing for the senses, conjuring with almost nauseating accuracy sensations both mundane and extraordinary.