
Dead Pioneers Seek to Unite and Fight on ‘Wagon Burner’
The performance-art punks Dead Pioneers create protest music that unites and inspires, just in time for the United States’ birthday.

The performance-art punks Dead Pioneers create protest music that unites and inspires, just in time for the United States’ birthday.

Performance artist-turned-punk Gregg Deal of Dead Pioneers talks about his band’s new record and opening for Pearl Jam.

Born to Kill is new yet vintage Social Distortion, a greatest-hits package of new material that is authentic, fresh, and retrospective all at once.

Body Shop’s sound blends danger and wit and a reputation for confrontational live shows. The music drips with danger and sex, but isn’t just empty provocation.

There aren’t enough great punk records coming out about the current hellscape, but UltraBomb’s latest is certainly one of them.

UltraBomb’s Greg Norton is unapologetic about his new LP, The Bridges that We Burn: “If you don’t like my politics, you can listen to Kid Rock.”

Poison Ruïn have come closest to their original goal of embedding themselves in the lineage of early punk and post-punk. Hymns from the Hills is a powerful listen.

Stuck crank up the intensity in melody and harmonic texture, layering dominant melodic lines over a foundation of chords and central themes.

Evil Island features three members of the Blood Brothers, and the rotting apple doesn’t fall far from that tree.

Pale Skies pairs two of the melodic hardcore’s strongest acts of the past year: Square One and Turn of Phrase.

Philadelphia band Sweet Pill’s sophomore release is a cathartic journey through writer’s block to rediscover resilience and optimism.

Young Fresh Fellows’ Loft proves their instincts still spark. They are loose, witty, and restless four decades after their genre-shaping debut.