The Art of ‘Cruising’
Cruising, once denounced as homophobic pulp, is now being reassessed as a daring exploration of performance, identity, and the psychic costs of repression.
Cruising, once denounced as homophobic pulp, is now being reassessed as a daring exploration of performance, identity, and the psychic costs of repression.
Screenwriter Joe Orton’s specialty was throwing in queer and polymorphous sexuality during a period when English laws were loosening but homosexuals were still being arrested.
In a brave and subversive move that appealed to mainstream audiences yet was undeniably queer, “AIDS film” Parting Glances used barbed comedy to convey tragedy.
“Free Radicals and the Feminist Carnivalesque”, or, the itty bitty titty committee, excerpted from New Queer Cinema: The Director’s Cut.