‘Lady for a Night’ Poked a Stick in the Eye of Southern Censors
Hays Code era Lady for a Night links black American characters with upstart so-called “white trash” to expose corruption and “zombie” hypocrisy from the so-called “quality class”.
racism
The Alt-Right’s Roots Go Deep in Co-Opting Pop Music
As with the Nazis and Goebbels and the Ku Klux Klan, the alt-right’s desire to co-opt pop music for their purposes requires ideological and ethical gymnastics.
When Record Labels Blasted Through the Barriers in Segregated America
While their motives were more mercenary than musical, American small record label impresarios could hear the barriers falling between the races right before their ears.
James Baldwin Digs Into the Roots of American Music
James Baldwin’s writing about music illuminates the significance of racial slavery for all American music. Black American music can help America to move forward if used properly.
“I’m a Murderer”: Poker Face’s Vegan Feeling
The new crime drama Poker Face is one of the few TV shows to serve up an authentically represented vegan sensibility.
The Kids Are Alt-Right: How Punk Got Co-opted by Fascism
Like political populism, punk’s traits and tenets are sufficiently vague, contradictory, and unmoored to be vulnerable to co-option by all political opportunists—including the fascist alt-right.
Why Disney’s Splash Mountain Has Finally Gone South
The Disney Theme Parks are dismantling the decades-long ride Splash Mountain. It will be resurrected as Tiana’s Bijour Adventure. Why has the Song of the South-inspired ride finally gone South?
Why Tribalism Matters in Reality Show ‘Big Brother’
Reality television show Big Brother has a traceable racial bias, but its contestants and fans often mistake their tribalism for racism.
‘Land of Gold’ Asks How Do You Raise a Brown Child in Today’s Hostile America?
Talking with Land of Gold director Nardeep Khurmi at Tribeca, he explains how his road trip drama serves as a badly needed “empathy machine” for divided America.
The “Who” in ‘Who Killed Vincent Chin?’ Is a Suggestive Misdirect
The piercing documentary ‘Who Killed Vincent Chin?’, airing on PBS on 20 June, shows how economic anxiety and racial demagoguery make a toxic brew.
Color Lines: 1930 Colonial Film ‘Mamba’ in Early Technicolor
Albert S. Rogell’s 1930 Technicolor film Mamba offers a colonial critique that’s sometimes explicit, sometimes implicit, and sometimes contradictory.
John McWhorter’s Polemic ‘Woke Racism’ Covers Controversial Issues with Snark Gnarled by Outrage
John McWhorter’s pushback against the antiracist orthodoxy of Robin DiAngelo and Ibram X. Kendi lands palpable hits but is too scattered to win the match.