In 1988, Lee Dorrian founded UK record label Rise Above. A quarter century later, the label is one of the ‘eavisest and ‘eartiest around, filled with as much tuning in and dropping out as doomy drop-tuning and whigging out.
In underground metal, ritualized hymns are brought to the boil in the catacombs of the psyche, pointing to the malevolence that awaits in the darkness of the cosmos, linking the baleful depths of the Earth directly with the ominousness of galaxies overhead.
Japan has a proud history of exporting some fantastically thunderous metal. This month's Ragnarök is a two-part exploration of the Japanese metal scene, covering its history and an in-depth look at five of the nation's very best metal bands.
Without heavy metal I simply wouldn't be alive today. I lit the torch for my recovery, and while metal was not the sole source of illumination on the path, it stoked the flames when I couldn't see a positive outcome for all the gloom.
New Zealand has some very pretty scenery, but don't let that fool you, the nation is replete with filth and squalor. In this month's Ragnarök we look at the best of that corruption, with New Zealand Metal 101.
The intersection where experimental music and heavy metal meet is bursting with bands constructing and deconstructing mangled hybridizations. It's time to survey some of those magnificently malformed artists.
The domain of the heavy metal full-length is a thunderously powerful realm, but so too is the sphere of its more compendious cousin, the split release. This month's Ragnarök investigates five recent releases, exploring the whys and wherefores of what makes a truly great metal split.