
Jungle Are Brilliant at Mixing Vintage and Contemporary Sounds
Jungle’s Sunshine is sincerely life-affirming, like being splashed with a bucketful of light during a time when darkness is much easier to come by.

Jungle’s Sunshine is sincerely life-affirming, like being splashed with a bucketful of light during a time when darkness is much easier to come by.

The Family’s Delusions of Grandeur is a portrait of the COVID era, from its beginning to the present, showing the future has already passed.

R&B artist Cautious Clay’s The Hours: High Noon delivers a deeply resonant reflection on daily life and time passing.

The most striking thing about Tekno’s Where Did Love Go? isn’t that he sounds unaware of the changes in Afrobeats, but that he seems comfortable ignoring them.

“We Were All Wounded at Wounded Knee” was omitted from Redbone’s 1973 US-version album Wovoka, but it was top of the charts in parts of Europe.

Loathe changed the face of metal six years ago. With a new sound in tow, are they still capable of reaching those heights with A Stranger to You?

Grey DeLisle and Les Greene create one of her most immediately exciting works, and the genre-crossing keeps it entertaining throughout.

Football is the world’s game because everyone can play it. The best moments on the Official FIFA World Cup 2026 Album understand that pop is, finally, the same.

By not fully letting his guard down, the genre-bending bass virtuoso Thundercat fails to harmonize with the profound beauty of his songs.

Ghost Hounds’ cover of the Rolling Stones’ “Gimme Shelter” evokes the feeling that we’re on the edge of something dangerous.

Wesley Joseph creates a sweeping, ambitious collection of tracks that serves as a vivid self-portrait of a hugely talented new voice in British music.

Mr Eazi and King Promise’s See What We’ve Done lands like a pulse check: messy, breathing, and defiantly human.