With its devils and aliens, pop music can be a “window on the weird”, sweeping odd material lodged in subcultural pockets into the broader currents of culture.
Documentarian Penny Lane challenges you to leave behind your preconceptions and give the Devil his due in this irreverent, entertaining look at the Satanic Temple, Hail Satan?
With Aquinas and the Market, economist and theologian Mary L. Hirschfeld begins a necessary conversation between economic and theological sectors, in the academy and, one hopes, outside the ivory towers and seminaries, to calculate our ultimate worth.
Sebastián Lelio reflects on his first English language feature, Disobedience, and how art, the individual, and society benefits from one's rebellion against one's own worldview.
Actor-director Joel Edgerton details the sensitive process of making Boy Erased and how the film could act as a lifeline for families who have experienced gay conversion therapy.
What does it mean, ontologically and narratively, when the seeming finality of death disappears from our stories? What does it mean when our stories and our characters, unlike our lives, refuse to come to an end?
Religious conservatives have spent as much time studying popular culture as they have condemning it, and they have arguably learned its lessons more effectively than social progressives.
Horror might not be a replacement for the absolutism of religion, but for Stephen King its proved to be both a lucrative and at times life-long examination of what exists behind locked doors.