The Wanting and Waiting Is Over as the Black Crowes Return
The Black Crowes’ Happiness Bastards gives us ten good reasons to believe that rock and roll is still a long way from the graveyard.
The Black Crowes’ Happiness Bastards gives us ten good reasons to believe that rock and roll is still a long way from the graveyard.
At the inaugural Extra Innings Festival, spring swung into gear with baseball bats and an eclectic lineup of musicians. These players led our hit parade.
Rock guitar virtuoso Mary Timony’s Untame the Tiger is a clear–eyed, unsentimental, top-shelf record that emerged during hard times.
Former Oasis frontman Liam Gallagher and Stone Roses guitarist John Squire sound reenergized on their new collaborative album, but the songs never catch fire.
As these 1964 albums from the Animals and the Hollies show, the music of the beat boom was characterized by excitement, reverence, and sound.
In the second set, Gov’t Mule forgo their standard repertoire with what turns out to be a series of fan favorite cover tunes that celebrate their influences.
Famous for his session work with big names in rock, pop, folk, and jazz musicians, the drumming never stopped as Jim Gordon’s life and mind came apart.
While the shift from folk to jazz-rock on Joni Mitchell’s Court and Spark may seem like commercial ambition, it was layered and signaled a profound change.
Taylor Swift, BTS, and Stromae are at the frontlines of de-stigmatizing mental health challenges as something so relatable that they can make a hit song about it.
Fleetwood Mac and Humble Pie were a part of the progressive 1960s ethos that carried successfully into the 1970s and beyond. These 1969 albums tell the story.
Six generations of musicians cover the Rolling Stones’ zeitgeist-capturing “(I Can’t Get No) Satisfaction”. Some are good. Some bad. Some just have fun with it.
Concocted in a three-year maelstrom of excess, the highly anticipated solo LP America’s Sweetheart was overshadowed by Courtney Love’s erratic behavior.