Gary of Licorice Pizza behaves like all male characters from Paul Thomas Anderson’s gallery of sociopaths, except now the type is cast as a romantic hero.
The debate over whether the 2009 rom-com (500) Days of Summer is sexist is valid, but the filmmaking and acting are superior to its dull contemporaries.
Powell & Pressburger’s film version of Hans Christian Andersen’s “The Red Shoes” asks, is Art worth dying for?
Italian romance comedy Generation 56k toys with the timeline between instant and delayed gratification in the eras of the early internet and social media.
Frankenstein’s daughter, in modern parlance, is some kind of proto-“trans” creation of a woman’s mind within a patched-together male body. This is heady stuff.
In a brave and subversive move that appealed to mainstream audiences yet was undeniably queer, “AIDS film” Parting Glances used barbed comedy to convey tragedy.
Eyebrows tilting and nostrils flaring and emanating pheromones of intoxicating effluvia, Foreigners like Valentino’s Sheik had un-American sex all over Hollywood.
Stephen Park has been brought into Wes Anderson’s exclusive filmmaking troupe for The French Dispatch in a role that was written specifically for him.
In Mothering Sunday, playing at the BFI London Film Festival 2021, the memories of grief and tragedy distract a novelist from writing her new thriller.
Director Harry Macqueen talks about working with dementia charities and his hope that ‘Supernova’ will be a force for change in the end-of-life debate.