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Do We Dream of Electric Sheep Like Blade Runner's Corporate-produced Replicants?

The isolation of Blade Runner 2049's inhabitants continually reinforces and enlivens their deep need for genuine connection, communal relationships, which the divisive effects of global capitalism actively undermines.

Film

'The Big Short' Falls Short

An informative and sometimes entertaining take on the recent financial crisis,The Big Short doesn't quite deliver on our investment.

Reviews

The Best and Worst Films of Spring 2015

January through April is a time typically made up of award season leftovers, pre-summer spectacle, and more than a few throwaways. Here are PopMatters' choices for the best and worst of the last four months.

Film

'The Place Beyond the Pines' Is Three Stories Linked by Grit, Father Issues and Family Foes

This is a powerful film offering a fascinating insight into the father and son complex.

Reviews

"My Humor Is Traced with Dark": An Interview with 'Drive’s Albert Brooks

Everyone is talking about Albert Brooks' transformation from funnyman to hitman in Nicolas Winding Refn's excellent Drive. The legendary comic, author and Best Supporting Actor Oscar hopeful recently spoke with PopMatters about being ahead of the curve and more.

Film

Transformer, Singular: 'Drive' Sings the Body Electric

Va-va-va-vroooom: Cannes Best Director winner Nicolas Winding Refn talks Drive with PopMatters.

Lee Dallas

Film

Drive (dir. Nicolas Winding Refn) Red Band Trailer

Nik Ruckert

Film

'Blue Valentine': You Always Hurt the Ones You Love

Ultimately, Blue Valentine isn’t something you merely watch: it’s something that you feel. Even though it proves to be one hell of a devastating experience, it’s worth the pain.

Reviews

Various Artists: Blue Valentine OST

While Grizzly Bear was the perfect choice to score the heartbreaking indie vehicle, listening to their score without the visuals leaves the listener a little wanting.

Music

Hitting 'The Road' with Director John Hillcoat

Director John Hillcoat talks to PopMatters about the hazards of being intimidated by legends, the funny side of cannibalism and Viggo Mortensen's sweet tooth as his adaptation of the seminal apocalyptic novel The Road hits theaters.

Film

Summer of Same: July 2009

In a rare attempt at novelty, July jets along with only Harry Potter and the Ice Age crew sampling continuing series spoils. The rest provide unknown pleasures.

Film

Lars and the Real Girl

This is the reductive conceit of Lars and the Real Girl, Lars' representative incongruity: he's so unlike everyone else that he becomes their cause and sign of sanity.

Reviews

Fracture (2007)

Part police procedural, part courtroom hijinks, and part cunning murder plot, Gregory Hoblit's new movie brings the usual canards.

Reviews

The Pay Off: The Best Film of 2006

For many of the movies on PopMatters' 2006 list of the year's best films, it is clear that a heavy personal and professional stake was riding on the final product.

Film

Half Nelson (2006)

In Half Nelson, Dan's (Ryan Gosling) take on history -- as concept and series of events -- has as much to do with his personal past as any ideological leanings. He sees history in motion, as ongoing questions.

Film

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Jackie Chan's 10 Best Films

MetalMatters: April 2019 - It Is April So "Why So Serious?"

The 100 Greatest Alternative Singles of the '80s: Part 1: 100 - 81

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The isolation of Blade Runner 2049's inhabitants continually reinforces and enlivens their deep need for genuine connection, communal relationships, which the divisive effects of global capitalism actively undermines.

An informative and sometimes entertaining take on the recent financial crisis,The Big Short doesn't quite deliver on our investment.

January through April is a time typically made up of award season leftovers, pre-summer spectacle, and more than a few throwaways. Here are PopMatters' choices for the best and worst of the last four months.

This is a powerful film offering a fascinating insight into the father and son complex.

Everyone is talking about Albert Brooks' transformation from funnyman to hitman in Nicolas Winding Refn's excellent Drive. The legendary comic, author and Best Supporting Actor Oscar hopeful recently spoke with PopMatters about being ahead of the curve and more.

Va-va-va-vroooom: Cannes Best Director winner Nicolas Winding Refn talks Drive with PopMatters.

Ultimately, Blue Valentine isn’t something you merely watch: it’s something that you feel. Even though it proves to be one hell of a devastating experience, it’s worth the pain.

While Grizzly Bear was the perfect choice to score the heartbreaking indie vehicle, listening to their score without the visuals leaves the listener a little wanting.

Director John Hillcoat talks to PopMatters about the hazards of being intimidated by legends, the funny side of cannibalism and Viggo Mortensen's sweet tooth as his adaptation of the seminal apocalyptic novel The Road hits theaters.

In a rare attempt at novelty, July jets along with only Harry Potter and the Ice Age crew sampling continuing series spoils. The rest provide unknown pleasures.

This is the reductive conceit of Lars and the Real Girl, Lars' representative incongruity: he's so unlike everyone else that he becomes their cause and sign of sanity.

Part police procedural, part courtroom hijinks, and part cunning murder plot, Gregory Hoblit's new movie brings the usual canards.

Given its subject -- a drug-addicted teacher -- Half Nelson's success is certainly more surprising than that of the warmer, and more star-blessed, Little Miss Sunshine.

For many of the movies on PopMatters' 2006 list of the year's best films, it is clear that a heavy personal and professional stake was riding on the final product.

In Half Nelson, Dan's (Ryan Gosling) take on history -- as concept and series of events -- has as much to do with his personal past as any ideological leanings. He sees history in motion, as ongoing questions.