Deafheaven Put Aside Metal and Embrace Melody on ‘Infinite Granite’
Deafheaven’s Infinite Granite is a very successful shoegaze-inspired alt-rock record with a great sense of dynamics and some really catchy songs.
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Lingua Ignota Seeks Salvation on SINNER GET READY
On SINNER GET READY, Lingua Ignota resides in the world, but not of it, crafting a bone-chillingly cathartic final product that deals in righteousness and reflection in turns.
Jaye Jayle’s ‘Prisyn’ Is a Dark Ride Into Electric Night
Jaye Jayle salvage the best materials from Iggy Pop and David Bowie's Berlin-era on Prisyn to construct a powerful and impressive engine all their own.
Chelsea Wolfe Delves Deeply Into Folk on ‘Birth of Violence’
Chelsea Wolfe is a gothic Gaia figure on intoxicating new folk rock album Birth of Violence.
Earth Make Their Purest Sonic Statement with ‘Full Upon Her Burning Lips’
Dylan Carlson and Adrienne Davies strip all ornamentation away from Earth's sound on their ninth studio album, Full Upon Her Burning Lips, the band's purest sonic statement to date.
Ioanna Gika Exposes an Ethereal and Vulnerable Side on ‘Thalassa’
With her debut Thalassa, the stellar singer Ioanna Gika arrives with tasteful orchestrations, stunning arrangement, and immersive delivery to create an album of intelligent art pop.
Jaye Jayle Explores the Dark Side of Americana on ‘No Trail and Other Unholy Paths’
For Jaye Jayle's sophomore record, Evan Patterson continues the evolution of his project, taking Americana to more experimental realms.
Boris: Dear
Legendary Tokyo-based experimental trio, Boris, take a dive into their past in order to discover a new found energy and move forward.
Helms Alee: Stillicide
Stillicide manages to achieve what Helms Alee's previous records could not: atmosphere.
Boris: Noise
This is probably Boris’ most accessible record to date and the overall feeling is that it has, once again, managed to mould its inspiration while remaining quintessentially "Boris".